I read Hired by James Bloodworth in 2018 which is the author’s eye-opening account of working undercover in Britain as an Amazon warehouse picker, Uber driver, call centre worker and carer on zero-hours contracts in the mid 2010s. Barbara Ehrenreich undertook a similar experiment almost 20 years earlier in the United States and ‘Nickel and Dimed: On (Not) Getting By in America’ first published in 2001 is now regarded as a classic of narrative non-fiction reportage. The book is split into three parts: ‘Serving in Florida’ sees Ehrenreich working as a waitress and housekeeper, ‘Scrubbing in Maine’ is about her experience as a cleaner and ‘Selling in Minnesota’ where she folded clothes in Wal-Mart. Continue reading
Tag Archives: Non fiction
‘Trick Mirror: Reflections on Self-Delusion’ by Jia Tolentino has been highlighted in several best of 2019 non-fiction book lists recently. The New Yorker staff writer’s debut collection of nine essays are pieces of cultural criticism about modern life today with its relentless focus on performance, productivity and optimisation. In ‘Trick Mirror’, Tolentino explores what this means for the development of the Internet and the current wave of feminism amongst other things. Continue reading
It is rare for me to read consecutive books by the same author, but Nora Ephron’s are both very short and very funny and therefore eminently binge-readable. Best known as a screenwriter and director of films such as ‘Sleepless in Seattle’, ‘You’ve Got Mail’ and ‘Julie and Julia’, Ephron’s career began in journalism in the 1960s. Her essay collection ‘I Feel Bad About My Neck And Other Thoughts On Being a Woman’ was published in 2006 and has recently been reissued. Continue reading
I have an ever-growing list of anticipated books due to be published in 2020. Here are the titles I am looking forward to reading the most. All publication dates where known are for the United Kingdom only.
In non-fiction, Notes from an Apocalypse by Mark O’Connell is the Wellcome Book Prize-winning author’s second book after To Be a Machine. Due in April, it will explore how we get to grips with the future and the possible end of the world in an age of anxiety.
Also due in April, Fake Law: The Truth About Justice in an Age of Lies by The Secret Barrister promises to be an equally eye-opening account as his/her bestselling debut book of how the legal system really works, this time focusing on themes of ignorance, corruption and fake news. Continue reading
2019 is the first year non-fiction has more or less overtaken fiction in my reading. This is partly due to shadowing the Wellcome Book Prize at the beginning of the year. My favourite titles from this year’s longlist include the excellent This Really Isn’t About You by Jean Hannah Edelstein and The Trauma Cleaner by Sarah Krasnostein – the latter was our shadow panel winner.
Unfortunately, the Wellcome Book Prize has been paused for 2020. Mother Ship by Francesca Segal and The World I Fell Out Of by Melanie Reid would definitely have been on my longlist wishlist – two outstanding memoirs about the premature birth of twins and spinal injury respectively. This year’s Baillie Gifford Prize winner The Five by Hallie Rubenhold about the lives of Jack the Ripper’s victims is another stand-out title as is last year’s winner Chernobyl by Serhii Plokhy. Continue reading
I enjoy following the Baillie Gifford Prize for Non-Fiction (previously known as the Samuel Johnson Prize) because it is the one book prize which consistently picks winners I actually agree with: Chernobyl by Serhii Plokhy, How to Survive a Plague by David France and H is for Hawk by Helen Macdonald to name a few from recent years. I had just finished ‘The Five’ by Hallie Rubenhold when it was announced as this year’s winner on Tuesday and, once again, I think it is another book which really deserves this prestigious award. It is about the “untold lives of the women killed by Jack the Ripper”, namely Mary Ann “Polly” Nichols, Annie Chapman, Elizabeth Stride, Catherine “Kate” Eddowes and Mary Jane Kelly who all died in 1888 in Whitechapel in east London. Continue reading
I have read two memoirs written by actresses recently, namely Zawe Ashton and Mara Wilson. Despite their very different career paths, both clearly have mixed feelings about the industry and how it operates.
Zawe Ashton’s memoir ‘Character Breakdown’ has an unusual but brilliant structure switching between prose sections about different auditions and roles she has played, and scenes from her life in the form of a play script as she makes the transition to roles in Hollywood. Each chapter begins with the “character breakdown” of the audition – in other words, a short description of the role and the type of actor they are looking to cast. Some chapters are about the auditions or roles themselves, and others draw on events in her life at the time. Continue reading