I was invited to celebrate the launch of the BBC’s ‘Novels That Shaped Our World’ campaign at New Broadcasting House on Tuesday night with other book bloggers and vloggers. It begins a year-long celebration of literature at the BBC and also marks the 300th anniversary of ‘Robinson Crusoe’ by Daniel Defoe which is widely considered to be the first modern English novel.
Six writers and critics – Stig Abell, Syima Aslam, Juno Dawson, Kit de Waal, Mariella Frostrup and Alexander McCall Smith – have come up with a list of 100 novels that shaped our world. The list itself is not going to please everyone. It consists of English language titles only and it also includes several series such as the Earthsea trilogy and Discworld, so to call it a list of “100 novels” isn’t strictly true. However, I think those bemoaning the fact that it is not a collection of “greatest” novels featuring lots of worthy tomes are slightly missing the point, as it is very much a list of books which have had personal impact on the panellists. That’s not to say that books traditionally thought of as great literature are not here because they are (‘Pride and Prejudice’, ‘Middlemarch’, ‘Nineteen Eighty-Four’ and ‘To Kill A Mockingbird’ are among those which made the cut). But it seems to have upset some people that they appear alongside more modern books considered to be guilty pleasures (‘The Twilight Saga’ and ‘Riders’ being two which are typically excluded from these kind of lists). Organised thematically, it’s a bit like an updated version of The Big Read series from the early 2000s but without a public vote, thereby preventing the overrepresentation of Jeffrey Archer and Jacqueline Wilson this time. Continue reading
Shortlisted for the Man Booker Prize in 2018 and winner of the Pulitzer Prize for Fiction, ‘The Overstory’ by Richard Powers brings together nine stories in which the characters grow to realise the extent of the ecological crisis, particularly where trees are concerned. It is difficult to elaborate further on the plot in which the structural concept is, according to the blurb, based around “concentric rings of interlocking fable” which sees the various strands gradually become interlinked. The diverse cast of characters includes a war veteran, a biologist, a childless married couple and a college student who has a near-death experience. The first part ‘Roots’ reads more like a collection of short stories in which trees feature in one way or another. However, links between the characters start to emerge in the second part ‘Trunk’ and the narrative finally starts to read more like a novel. Continue reading
Autumn usually sees the publication of novels by popular authors in the run-up to Christmas and there are some excellent ones appearing on the shelves this year. ‘Akin’ by Emma Donoghue tells the story of Noah Selvaggio is a widower and retired chemistry professor born in France and based in New York. He is planning his first visit back to Nice since he was a child in time for his 80th birthday. However, he discovers he has an 11-year-old great-nephew called Michael whose father died from a drug overdose and whose mother is in prison. Noah is the only relative available to take care of Michael and he decides to take him along on his trip of a lifetime. Continue reading
‘All Among the Barley’ by Melissa Harrison tells the story of fourteen-year-old Edie Mather, living at Wych Farm in the East Anglian countryside in 1933 with her family. The impact of the Great War and the Depression is still being felt and the fickle nature of the weather and the outcome of the harvest are a constant worry. Bookish Edie is naïve and impressionable and the arrival of former Suffragette Constance FitzAllen brings new ideas to the community and repercussions for the Mather family. Continue reading
I haven’t read any of this year’s Booker Prize longlist yet, but I have read two of the novels shortlisted for the Guardian’s Not the Booker prize which recognises an alternative selection of eligible books chosen by the public, judges and book champions. ‘Spring’ by Ali Smith wouldn’t look out of place on this year’s official Booker Prize longlist which mostly consists of novels by established authors, although I have read that her novels are no longer submitted to literary awards for consideration. It is the third book in Smith’s quartet of seasonally themed novels following Autumn (which was shortlisted for the Man Booker Prize in 2016) and Winter. Continue reading
The Booker Prize longlist (no longer sponsored by the Man Group) for 2019 is due to be announced on Wednesday 24th July which means it’s time for another game of what Julian Barnes once termed “posh bingo”. I’ve come up with a list of predictions in terms of what I think could be some strong possibilities alongside my own personal preferences, based on a few eligible books I have read in recent months as well as ones I haven’t. As ever, I have no idea which novels have actually been submitted for consideration.
Of the eligible books I have read, one of the most striking titles is Throw Me To The Wolves by Patrick McGuinness which is a literary crime novel loosely based on what happened to Christopher Jefferies when he was wrongly accused of murder and follows the 2011 shortlisting for McGuinness’s debut novel The Last Hundred Days. I would also like to see Little by Edward Carey on the longlist which is a fictionalised account of the early life of Madame Tussaud. Continue reading
I watched the excellent film adaptation of ‘The Wife’ by Meg Wolitzer recently (currently available to stream on Netflix in the UK) and still had Glenn Close’s performance in mind when I read the book which was first published in 2003, so this week’s blog post is more of a joint review of both. Joan has been married to celebrated novelist Joe Castleman for forty years after meeting in the late 1950s. She was his student in a creative writing class at Smith College and they began an affair which ended his first marriage. In the present day, they are travelling to Scandinavia where Joe is due to receive a literary award – the Nobel Prize for Literature in the film, the fictional Helsinki Prize in the book, which is said to be slightly less important than the Nobel Prize for Literature but prestigious nonetheless. However, during the flight, Joan decides that enough is enough and plans to end their marriage after years of putting up with Joe’s philandering. Continue reading