’Transcription’ is the latest stand-alone novel by Kate Atkinson in which eighteen-year-old Juliet Armstrong is recruited straight out of school by MI5 in 1940 not long after her mother has died. Initially given secretarial tasks as well as the roles usually left to women such as making the tea, she soon begins transcription work monitoring the conversations held in a flat in Pimlico between Fascist sympathisers and an undercover British agent named Godfrey Toby who poses as a member of the Gestapo. A decade later, she is working as a radio producer of children’s programmes at the BBC believing that her wartime activities now lie in the past. However, a chance encounter with Godfrey (also known as John Hazeldine), some threatening notes and a sense that she is being followed remind her that the world of espionage is not one easily left behind and there are some who want Juliet to know that her actions have had far-reaching consequences. Continue reading
Tag Archives: Literary Fiction
Transcription by Kate Atkinson
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Melmoth by Sarah Perry
‘Melmoth’ by Sarah Perry tells the story of Helen Franklin, a British woman in her forties working as a translator in Prague where she has lived for some twenty years in self-imposed exile. Her friend Karel has come into possession of the papers of fellow scholar Josef Hoffman who has recently been found dead in the National Library. Among the papers is a manuscript which tells of Melmoth the Witness, an obscure legend in which, according to superstition, Melmoth travels through the ages, persuading those wracked with guilt to wander alongside her on a journey of eternal damnation. Helen’s initial scepticism of the legend wanes when Karel disappears and she is forced to confront the reasons why she cannot forgive herself for the outcome of events in her own past.
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My Most Anticipated Books of 2019
I have an ever-growing list of books I want to read which will be published in 2019, even though it is extremely unlikely I will get round to all of them in the next 12 months and more will inevitably distract me as the year goes on. Here is a selection of some I will be looking out for. All publication dates where known apply to the UK only and may be subject to change.
Among fiction titles, there are numerous sequels and instalments of series due in 2019. Spring by Ali Smith is the third book in the Scottish author’s seasons cycle following Autumn (2016) and Winter (2017) with Summer presumably following in 2020.
A part of me wonders if The Testaments by Margaret Atwood would ever have been written if the TV adaptation of The Handmaid’s Tale hadn’t been so successful. Set 15 years after the original book, the new volume won’t be based on the grim storylines of the second season broadcast last year, but it’s safe to assume that it won’t be a light and cheery read either. Continue reading
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My Books of the Year 2018
Is it possible not to have a good year for books? Thankfully, I don’t think this has happened to me yet, so here is a list of the books I enjoyed the most in 2018.
I have read more non-fiction than ever this year, partly due to shadowing the Wellcome Book Prize shortlist in March and April which I hope to do again in 2019. To Be a Machine by Mark O’Connell won the official prize and was also our shadow panel winner – it’s a fun, informative and pretty terrifying book about transhumanism. , Yet while transhumanists are trying to avoid death at all costs, With the End in Mind by Kathryn Mannix explores the practical side of dying and what a “good” death can look like from her work as a palliative care consultant and this was a stand-out title for me this year. Another book I would happily press into the hands of everyone I meet is The Secret Barrister: Stories of the Law and How It’s Broken which is an eye-opening account of the inner workings of the criminal justice system in the United Kingdom. And Strangers Drowning by Larissa MacFarquhar is a book I am still thinking about regularly months after I finished it mostly because the stories of extreme do-gooders are actually more unsettling than uplifting in many cases. Continue reading
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Property by Lionel Shriver and Public Library and Other Stories by Ali Smith
By coincidence, I have recently read two collections of short fiction by two of my favourite authors which bring together stories united around specific themes. ‘Property’ is Lionel Shriver’s first collection of short stories which all address the title’s literal definition in relation to real estate and also in a more figurative sense as ownership and possession. Ten shorter pieces many of which have previously been published in magazines are bookended by two novellas ‘The Standing Chandelier’ about the dynamics of Weston Babansky’s 20+ year friendship with Jillian Frisk and her unusual choice of wedding gift when he marries his girlfriend Paige and ‘The Subletter’ written in 1999 about an American journalist living in Belfast during the Troubles who has territorial struggles of her own. Continue reading
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The Mars Room by Rachel Kushner
The winner of this year’s Man Booker Prize was announced last month. While ‘The Overstory’ by Richard Powers and ‘Washington Black’ by Esi Edugyan appeared to be the favourites to win among bloggers I follow, ‘Milkman’ by Anna Burns triumphed in the end. I’m undecided about whether or not to read it. There has been a lot of focus on the experimental prose style and the question of its “readability” with its unnamed characters and paragraphs without breaks. However, when chair of the judges Kwame Anthony Appiah said “I spend my time reading articles in the Journal of Philosophy so by my standards this is not too hard”, I wasn’t sure he really succeeded in selling it to a wider audience. On the other hand, it should be noted that the actual sales figures since Burns’ win tell a different story and it will be interesting to see how it is critically received in the long term. Do let me know what you think of ‘Milkman’ if you have read it. Continue reading
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The Little Stranger – Film Review and a Reread
I read ‘The Little Stranger’ by Sarah Waters over seven years ago before I started my blog and reread it this month when the film adaptation was released in the UK. Set in the Warwickshire countryside in the late 1940s, Dr Faraday is called to Hundreds Hall, a once grand now derelict stately home where his mother once worked as a maid and which he has long viewed with fascination since he was a child. Occupied by the Ayres family for more than two centuries, the house is now in decline with just Mrs Ayres and her two adult children Caroline and Roderick struggling to manage the estate on their own. Roderick sustained serious injuries during the war and when Faraday offers some treatment for his leg, his regular visits to Hundreds Hall see him become increasingly more involved in the family’s affairs. Continue reading
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