Glory by NoViolet Bulawayo
Trust by Hernan Diaz
The Trees by Percival Everett
Booth by Karen Joy Fowler
Treacle Walker by Alan Garner
The Seven Moons of Maali Almeida by Shahan Karunatilaka
Small Things Like These by Claire Keegan
Case Study by Graeme Macrae Burnet
The Colony by Audrey Magee
Maps of Our Spectacular Bodies by Maddie Mortimer
Nightcrawling by Leila Mottley
After Sappho by Selby Lynn Schwartz
Oh William! by Elizabeth Strout
Tag Archives: Literary Fiction
Glory by NoViolet Bulawayo
The 2022 Booker Prize longlist will be announced on Tuesday 26th July and I have made my annual list of predictions in terms of what I think could be some strong possibilities alongside my own personal preferences, based on a few novels I have read and others I have heard about. As ever, it’s impossible to know which novels have been submitted for consideration but those published in the UK between 1 October 2021 and 30 September 2022 will be eligible. My longlist predictions lists in 2020 and 2021 included the eventual winners in those years: Shuggie Bain by Douglas Stuart and The Promise by Damon Galgut. The question is, can I make it three years in a row…?
The Bread the Devil Knead by Lisa Allen-Agostini
Salt Lick by Lulu Allison
Careless by Kirsty Capes
Remote Sympathy by Catherine Chidgey
The Paper Palace by Miranda Cowley Heller
Flamingo by Rachel Elliott
The Sentence by Louise Erdrich
Build Your House Around My Body by Violet Kupersmith
Sorrow and Bliss by Meg Mason
The Exhibitionist by Charlotte Mendelson
The Book of Form and Emptiness by Ruth Ozeki
This One Sky Day by Leone Ross
The Island of Missing Trees by Elif Shafak
Great Circle by Maggie Shipstead
The Final Revival of Opal & Nev by Dawnie Walton
Creatures of Passage by Morowa Yejidé
Case Study by Graeme Macrae Burnet is set in the 1960s and consists of a fictional biography of Arthur Collins Braithwaite, a radical psychoanalyst with a practice based in north London, interweaved with notebooks written by one of his patients which have been purportedly “discovered” by her cousin and passed on to the author. The patient believes Braithwaite is responsible for the death of her elder sister, Veronica, and poses as Rebecca Smyth in order to find out more about him. As with the Booker Prize-shortlisted His Bloody Project, Burnet displays his impeccable narrative skill in presenting the story as authentic source material. There is plenty of satire in the depiction of Braithwaite’s rivalries with his contemporaries, reminiscent of the spoof biographies in Their Brilliant Careers by Ryan O’Neill, while pertinent questions about the nature of identity and reality are posed in “Rebecca’s” pursuit for answers. ‘Case Study’ is another outstanding novel by one of my must-read authors. Continue reading
My list of most anticipated books coming soon in 2022 is growing by the day, so here are some of the highlights. All publication dates where known apply to the United Kingdom only.
To Paradise by Hanya Yanagihara is out this month and spans an alternative version of New York in 1893, 1993 and 2093. I’ve heard nothing but positive reviews so far, even from those who didn’t get on with her second novel A Little Life. I expect it will appear on several predictions lists for the Booker Prize later this year, along with Young Mungo by Douglas Stuart which is out in April, after the Scottish author’s debut novel Shuggie Bain won the Prize in 2020. Continue reading
Girl, Woman, Other by Bernardine Evaristo was the joint winner of the Booker Prize in 2019 alongside The Testaments by Margaret Atwood which I read earlier this year. It follows the lives of 12 characters, mostly black British women, spanning several decades in four overlapping clusters. In the first part, we are introduced to Amma, a theatre director, her daughter Yazz, and Dominique who is Amma’s former partner in the theatre group. Then there is Carole who works in banking, her mother Bummi and her school friend La Tisha. Shirley is a teacher whose mother Winsome is retired in Barbados and has worked with her colleague Penelope for several years. Finally, Megan/Morgan is a non-binary social media influencer, whose relatives Hattie and Grace were based in the north of England in the early 20th century.
The Country of Others by Leïla Slimani, translated from the French by Sam Taylor, is the first book in a planned trilogy of historical fiction. In a very different setting and genre from Slimani’s breakout thriller Lullaby, ‘The Country of Others’ opens just after the Second World War when a Frenchwoman from Alsace, Mathilde, falls in love with Amine, a Moroccan soldier fighting for the French and moves to Morocco with him in 1946 when they get married. Mathilde raises their daughter, Aïcha, and son, Selim while Amine works on the farm, but she becomes increasingly disillusioned with her choices. Inspired by the life of Slimani’s grandmother, who also left Alsace after marrying a Moroccan soldier, ‘The Country of Others’ is a very personal project for Slimani. It suffers slightly from a lack of narrative drive, often reading as a series of vignettes, but perhaps a bigger picture will emerge as the trilogy progresses. I look forward to reading the next instalment which will be set in the 1960s. Continue reading
I have read a lot of great books over the summer and I now have a massive backlog of reviews to catch up on. Unsettled Ground by Claire Fuller tells the story of 51-year-old twins, Jeanie and Julius, who still live with their mother in rural isolation, until her sudden death forces them to confront some harsh realities of life in the modern world and the truth behind some dark family secrets. It’s quite a meandering novel, often melancholic in tone, but I really enjoyed Fuller’s richly descriptive prose which captures the oppressive atmosphere of the twins’ daily lives. ‘Unsettled Ground’ was shortlisted for this year’s Women’s Prize for Fiction, and while it wasn’t too surprising that the judges crowned ‘Piranesi’ by Susanna Clarke as the winner last week, I think ‘Unsettled Ground’ would have been a worthy winner too, and I will definitely seek out Fuller’s other novels. Continue reading
A Passage North by Anuk Arudpragasam
Second Place by Rachel Cusk
The Promise by Damon Galgut
The Sweetness of Water by Nathan Harris
Klara and the Sun by Kazuo Ishiguro
An Island by Karen Jennings
A Town Called Solace by Mary Lawson
No One is Talking About This by Patricia Lockwood
The Fortune Men by Nadifa Mohamed
Bewilderment by Richard Powers
China Room by Sunjeev Sahota
Great Circle by Maggie Shipstead
Light Perpetual by Francis Spufford
It’s that time of year again – the 2021 Booker Prize longlist will be announced on Tuesday 27th July and I have made a list of predictions in terms of what I think could be some strong possibilities alongside my own personal preferences, based on a few eligible books I have read in recent months, as well as several that I haven’t. As ever, it’s impossible to know which novels have been submitted for consideration. Last year, for the first time since I started writing these posts, my longlist predictions list included the eventual winner Shuggie Bain by Douglas Stuart, so my first prediction is that it is highly unlikely I will repeat this trick for a second year in a row….
After a long period of neglect, I have been reading more books in translation recently, including some recently published titles. There’s No Such Thing as an Easy Job by Kikuko Tsumura has been translated from the Japanese by Polly Barton and sees an unnamed woman in her mid-30s walk into an employment agency looking for a job that has the following traits: it is close to her home, requires no reading or writing and preferably very little thinking. The book follows her attempts at five different roles: surveillance, recording voice ads for buses, writing fun facts to be printed on cracker wrappers, putting up posters and park maintenance. Tsumura wrote her debut novel after her own experience of job burnout and it captures a sense of listlessness in a way that will have you counting down the days until you are entitled to claim your own pension. With deadpan humour and a bit of magical realism, it ends up being a bit of an aimless novel overall, yet also quite thought-provoking about the meaning of job satisfaction, particularly in the context of workplace culture in Japan which is known for extreme presenteeism.
Bluemoose Books is one of my favourite indie publishers and I have been reading some more of its titles over the past few weeks. Should We Fall Behind by Sharon Duggal has recently been featured on the BBC’s books programme Between The Covers and has deservedly won plaudits for its sensitive and non-judgemental portrayal of the most marginalised groups in society. Duggal’s second novel tells the story of Jimmy Noone who is homeless in an unnamed city and has been searching for his friend, Betwa, who grew up in the local area. He is seen as a threat by Ebele, a single mother who lives with her six-year-old daughter Tuli, while her landlord and employer, Nikos, who owns a furniture shop nearby thinks he is a nuisance. Jimmy does, however, generate more compassion from their neighbour, Rayya, who is a carer for her terminally-ill husband Satish. The way in which the characters’ backgrounds are slowly revealed is very effective, emphasising that ordinary people have extraordinary stories to tell, that actions are not all that they appear to be and how people can end up on completely different paths and become invisible to the rest of society. This is a perceptive and poignant novel and I look forward to reading more of Duggal’s work. Continue reading
I first read The Handmaid’s Tale by Margaret Atwood about 10 years ago and recently reread it followed by the long-awaited sequel The Testaments. Atwood’s dystopian classic first published in 1985 depicts the Republic of Gilead, a totalitarian and patriarchal state created after the downfall of the United States some time in the 21st century. It is narrated by Offred, a handmaid who is forced to produce children for Commander Waterford and his wife Serena Joy.
As a reread, ‘The Handmaid’s Tale’ was fresher in my mind than it would have been thanks to the recent television series which is a very faithful adaptation of the novel. I particularly admire Atwood’s skill at detailed world-building in relatively spare prose. Even though there isn’t a huge amount of description of what Offred’s surroundings look like or even much explanation about the creation of Gilead initially, Atwood paints a vivid and shocking portrait of this dystopian world, gradually building towards a dramatic conclusion. Continue reading
The Vanishing Half by Brit Bennett
Small Pleasures by Clare Chambers
Piranesi by Susanna Clarke
The Golden Rule by Amanda Craig
Exciting Times by Naoise Dolan
Burnt Sugar by Avni Doshi
Because of You by Dawn French
Unsettled Ground by Claire Fuller
Transcendent Kingdom by Yaa Gyasi
How the One-Armed Sister Sweeps Her House by Cherie Jones
Luster by Raven Leilani
No One Is Talking About This by Patricia Lockwood
Consent by Annabel Lyon
Nothing But Blue Sky by Kathleen MacMahon
Detransition, Baby by Torrey Peters
Summer by Ali Smith Continue reading
The last ten months or so have been very tough for the publishing industry in general, and particularly challenging for small indie presses who have still succeeded in bringing brilliant new books in to the world during a pandemic no less. One of those is Exit Management by Naomi Booth which was published by Dead Ink Books last summer. Originally from the north of England, Lauren works at a City firm as a graduate HR executive and specialises in “exit management”, otherwise known as firing people in less corporate terms. She is very ambitious about climbing the property ladder, even in a city where she discovers early on that a bedsit in Deptford will always be advertised as a “luxury studio in outer Greenwich”. Callum is a young man in his twenties who lives with his parents in Croydon and lands a job at GuestHouse, a company which finds elite temporary residences in London for the super-rich. Callum forms a close bond with one of his clients, József, a terminally ill elderly man who came to live in England from Hungary as a refugee in 1956. When Callum and Lauren meet by chance outside József‘s home in Elgin Mews, Lauren assumes that Callum owns the property, and the lives of the three characters become drawn together in unexpected ways. I think the characterisation is particularly strong in this novel, as it explores Lauren and Callum’s relationship in more interesting ways than just depicting their status as millennials inevitably struggling to get by in London. I look forward to reading Booth’s eco-horror debut novel ‘Sealed’. Continue reading
There are a lot of new books coming in 2021. Here are the titles I am looking forward to reading the most, although I probably won’t get round to all of them this year. All publication dates where known apply to the United Kingdom only.
High-profile debut novels out in early 2021 include Luster by Raven Leilani and No One Is Talking About This by Patricia Lockwood whose memoir Priestdaddy I reviewed last month. Several of the books I will be looking out for are second novels by authors who have written impressive debuts. Hot Stew by Fiona Mozley is set in modern-day Soho in London and sounds like a real departure from the Booker Prize-shortlisted Elmet. The High House by Jessie Greengrass is the second novel by the author of Sight. It addresses climate change and is out in April. Panenka by Ronan Hessian sees the author of the word-of-mouth success Leonard and Hungry Paul return with his new novel in May about a man who is living with mistakes he made in the past. Out in February, Light Perpetual by Francis Spufford tells the possible stories of five children if they hadn’t been killed by a V2 bomb in London in 1944 – a very different concept and setting from the 18th century New York depicted in his debut Golden Hill.
I have been following the Sunday Times/University of Warwick Young Writer of the Year Award since its relaunch in 2015 and shadowed the prize in 2017. This year’s shortlist was announced on Sunday 1st November and consists of two poetry collections, two novels and one memoir. The titles are:
Surge by Jay Bernard
Inferno by Catherine Cho
Exciting Times by Naoise Dolan
Tongues of Fire by Sean Hewitt
Nightingale by Marina Kemp
The poetry collections include Tongues of Fire by Sean Hewitt which draws on Hewitt’s time in Sweden, a translation of the Irish legend of Buile Suibhne, and his father’s terminal illness. Rooted in the natural world, these poems are very immersive, and deal with themes of identity and loss. Surge by Jay Bernard has already been shortlisted for several other major awards (Costa, Forward, Dylan Thomas and T. S. Eliot). It focuses on the New Cross house fire in south-east London in January 1981 which killed 13 black teenagers who were celebrating a birthday party. The cause has never been fully established but it is possible that the fire was started deliberately in a racist attack. In poems such as ‘Sentence’, Bernard explores parallels between the New Cross fire and the grief surrounding more recent tragedies such as the Grenfell Tower fire and the Windrush scandal. I don’t read poetry very often, but I could see ‘Surge’ being a potential winner with its thoughtful exploration of a powerful central theme.
I borrowed Rush Oh! by Shirley Barrett from the library because I really enjoyed reading The Bus on Thursday last year. Barrett’s debut novel was longlisted for the Baileys Women’s Prize for Fiction in 2016. Set in the early 20th century in the port town of Eden in New South Wales, ‘Rush Oh!’ is loosely based on the life of George Davidson, one of Australia’s most prominent master whalers at the time. During the 1908 season, his fictional teenage daughter, Mary, is tasked with supporting her father’s whaling crew and caring for her five siblings after their mother’s death, and the arrival of the mysterious former Methodist preacher, John Beck, proves to be a welcome distraction for her.
In ‘Rush Oh!’, Barrett strikes a good balance between the well-researched and brutal descriptions of whale hunting and the more gentle strands of Davidson family drama. Mary is a brilliantly imagined narrator, looking back on the events of her youth with amusingly chatty asides to the reader. In terms of genre, Barrett’s two novels to date couldn’t be more different, but they share a brilliant sense of humour and I look forward to reading more by Barrett in the future. Continue reading
I have read four books on this year’s Booker Prize longlist so far. All four are debut novels – there are eight in total on the 13-strong longlist – and two of them have made the shortlist.
Such A Fun Age by Kiley Reid is about a young African-American woman, Emira, who is accused of abducting the white toddler she is looking after in an upmarket grocery store in Philadelphia. The toddler’s mother, Alix Chamberlain, is a wealthy white social media influencer who is at pains to show Emira how “woke” she is, lacking the self-awareness to realise that her attempts to be more progressive end up becoming the total opposite, and often result in her becoming more controlling and insecure. After the incident in the grocery store, Emira starts a relationship with Kelley Copeland, a white man who has a connection with Alix’s past. The novel is a slow-burn after the initial confrontation scene and the structure is a bit all over the place, but overall, ‘Such A Fun Age’ is subtly written with a great sense of irony and skewers “white saviour” hypocrisy very effectively. Continue reading
I have read two books recently which were top of my wish list for this year’s Booker Prize longlist but sadly didn’t make the cut. The omission of Hamnet by Maggie O’Farrell has surprised a lot of people although it has been shortlisted for the Women’s Prize for Fiction this year. O’Farrell’s eighth novel and her first foray into historical fiction is a reimagining of the short life of William Shakespeare’s son Hamnet in Warwickshire in the late sixteenth century. The playwright himself only has a background part in this story which is told from the point of view of his wife Agnes (more commonly known as Anne Hathaway, O’Farrell uses the name given in her father’s will) who is the mother of their daughter Susanna followed by twins Hamnet and Judith. The novel focuses on events before and after Hamnet’s early death at the age of 11 in 1596, the true cause of which is unknown but is presented as bubonic plague here. Continue reading