The last ten months or so have been very tough for the publishing industry in general, and particularly challenging for small indie presses who have still succeeded in bringing brilliant new books in to the world during a pandemic no less. One of those is Exit Management by Naomi Booth which was published by Dead Ink Books last summer. Originally from the north of England, Lauren works at a City firm as a graduate HR executive and specialises in “exit management”, otherwise known as firing people in less corporate terms. She is very ambitious about climbing the property ladder, even in a city where she discovers early on that a bedsit in Deptford will always be advertised as a “luxury studio in outer Greenwich”. Callum is a young man in his twenties who lives with his parents in Croydon and lands a job at GuestHouse, a company which finds elite temporary residences in London for the super-rich. Callum forms a close bond with one of his clients, József, a terminally ill elderly man who came to live in England from Hungary as a refugee in 1956. When Callum and Lauren meet by chance outside József‘s home in Elgin Mews, Lauren assumes that Callum owns the property, and the lives of the three characters become drawn together in unexpected ways. I think the characterisation is particularly strong in this novel, as it explores Lauren and Callum’s relationship in more interesting ways than just depicting their status as millennials inevitably struggling to get by in London. I look forward to reading Booth’s eco-horror debut novel ‘Sealed’. Continue reading
Tag Archives: Literary Fiction
There are a lot of new books coming in 2021. Here are the titles I am looking forward to reading the most, although I probably won’t get round to all of them this year. All publication dates where known apply to the United Kingdom only.
High-profile debut novels out in early 2021 include Luster by Raven Leilani and No One Is Talking About This by Patricia Lockwood whose memoir Priestdaddy I reviewed last month. Several of the books I will be looking out for are second novels by authors who have written impressive debuts. Hot Stew by Fiona Mozley is set in modern-day Soho in London and sounds like a real departure from the Booker Prize-shortlisted Elmet. The High House by Jessie Greengrass is the second novel by the author of Sight. It addresses climate change and is out in April. Panenka by Ronan Hessian sees the author of the word-of-mouth success Leonard and Hungry Paul return with his new novel in May about a man who is living with mistakes he made in the past. Out in February, Light Perpetual by Francis Spufford tells the possible stories of five children if they hadn’t been killed by a V2 bomb in London in 1944 – a very different concept and setting from the 18th century New York depicted in his debut Golden Hill.
I have been following the Sunday Times/University of Warwick Young Writer of the Year Award since its relaunch in 2015 and shadowed the prize in 2017. This year’s shortlist was announced on Sunday 1st November and consists of two poetry collections, two novels and one memoir. The titles are:
Surge by Jay Bernard
Inferno by Catherine Cho
Exciting Times by Naoise Dolan
Tongues of Fire by Sean Hewitt
Nightingale by Marina Kemp
The poetry collections include Tongues of Fire by Sean Hewitt which draws on Hewitt’s time in Sweden, a translation of the Irish legend of Buile Suibhne, and his father’s terminal illness. Rooted in the natural world, these poems are very immersive, and deal with themes of identity and loss. Surge by Jay Bernard has already been shortlisted for several other major awards (Costa, Forward, Dylan Thomas and T. S. Eliot). It focuses on the New Cross house fire in south-east London in January 1981 which killed 13 black teenagers who were celebrating a birthday party. The cause has never been fully established but it is possible that the fire was started deliberately in a racist attack. In poems such as ‘Sentence’, Bernard explores parallels between the New Cross fire and the grief surrounding more recent tragedies such as the Grenfell Tower fire and the Windrush scandal. I don’t read poetry very often, but I could see ‘Surge’ being a potential winner with its thoughtful exploration of a powerful central theme.
I borrowed Rush Oh! by Shirley Barrett from the library because I really enjoyed reading The Bus on Thursday last year. Barrett’s debut novel was longlisted for the Baileys Women’s Prize for Fiction in 2016. Set in the early 20th century in the port town of Eden in New South Wales, ‘Rush Oh!’ is loosely based on the life of George Davidson, one of Australia’s most prominent master whalers at the time. During the 1908 season, his fictional teenage daughter, Mary, is tasked with supporting her father’s whaling crew and caring for her five siblings after their mother’s death, and the arrival of the mysterious former Methodist preacher, John Beck, proves to be a welcome distraction for her.
In ‘Rush Oh!’, Barrett strikes a good balance between the well-researched and brutal descriptions of whale hunting and the more gentle strands of Davidson family drama. Mary is a brilliantly imagined narrator, looking back on the events of her youth with amusingly chatty asides to the reader. In terms of genre, Barrett’s two novels to date couldn’t be more different, but they share a brilliant sense of humour and I look forward to reading more by Barrett in the future. Continue reading
I have read four books on this year’s Booker Prize longlist so far. All four are debut novels – there are eight in total on the 13-strong longlist – and two of them have made the shortlist.
Such A Fun Age by Kiley Reid is about a young African-American woman, Emira, who is accused of abducting the white toddler she is looking after in an upmarket grocery store in Philadelphia. The toddler’s mother, Alix Chamberlain, is a wealthy white social media influencer who is at pains to show Emira how “woke” she is, lacking the self-awareness to realise that her attempts to be more progressive end up becoming the total opposite, and often result in her becoming more controlling and insecure. After the incident in the grocery store, Emira starts a relationship with Kelley Copeland, a white man who has a connection with Alix’s past. The novel is a slow-burn after the initial confrontation scene and the structure is a bit all over the place, but overall, ‘Such A Fun Age’ is subtly written with a great sense of irony and skewers “white saviour” hypocrisy very effectively. Continue reading
I have read two books recently which were top of my wish list for this year’s Booker Prize longlist but sadly didn’t make the cut. The omission of Hamnet by Maggie O’Farrell has surprised a lot of people although it has been shortlisted for the Women’s Prize for Fiction this year. O’Farrell’s eighth novel and her first foray into historical fiction is a reimagining of the short life of William Shakespeare’s son Hamnet in Warwickshire in the late sixteenth century. The playwright himself only has a background part in this story which is told from the point of view of his wife Agnes (more commonly known as Anne Hathaway, O’Farrell uses the name given in her father’s will) who is the mother of their daughter Susanna followed by twins Hamnet and Judith. The novel focuses on events before and after Hamnet’s early death at the age of 11 in 1596, the true cause of which is unknown but is presented as bubonic plague here. Continue reading
The New Wilderness by Diane Cook
This Mournable Body by Tsitsi Dangarembga
Burnt Sugar by Avni Doshi
Who They Was by Gabriel Krauze
The Mirror & The Light by Hilary Mantel
Apeirogon by Colum McCann
The Shadow King by Maaza Mengiste
Such a Fun Age Kiley Reid
Shuggie Bain by Douglas Stuart
Real Life by Brandon Taylor
Redhead by The Side of The Road by Anne Tyler
Love and Other Thought Experiments by Sophie Ward
How Much of These Hills is Gold by C Pam Zhang Continue reading
Booker Prize longlist predictions are rarely dominated by one book, but the question of whether or not The Mirror and the Light by Hilary Mantel will make the cut will shape a lot of the debate this year. It would open up the potential for Mantel to be the first author to win the Booker Prize three times following the first two books in the trilogy about the life of Thomas Cromwell, Wolf Hall in 2009 and Bring Up the Bodies in 2013.
If the judges do select ‘The Mirror and the Light’, they will still need to nominate another 12 books to sit alongside it on the “Booker dozen” longlist. I haven’t read many eligible books this year due to library closures during lockdown which is my main source of new books. However, I was lucky enough read a review copy of Summerwater by Sarah Moss which is due to be published next month and I would very much like to see Moss receive a long overdue nomination for this brilliantly unnerving novel set in a Scottish holiday park. I also enjoyed Scabby Queen by Kirstin Innes which is about the life of a Scottish pop star and political activist who takes her own life. Continue reading
I found a copy of Treats by Lara Williams in a charity shop shortly after I read the author’s debut novel Supper Club which was published last summer. This very short collection – 21 stories in just over 100 pages – published in 2016 by the now-defunct Freight Books includes more of the same sharply observed prose about modern life, usually from the point of view of millennial age characters. Consequently, Williams is particularly good on the ways in which reality does not always meet expectations, whether it’s graduate job-hunting, relationships after university or creative writing courses. Her stories written in the second person are also very effective – a tricky perspective to get right. Overall, this is a fresh contemporary collection written by a striking new voice. Continue reading
I have reduced my blog post frequency to monthly round-ups of what I have been reading instead of the weekly posts I was writing before. A consequence of taking a bit of a step back meant that February was a slightly slower month for me in terms of how much I read, but I recommend all of the books below:
My Sister, the Serial Killer by Oyinkan Braithwaite was shortlisted for the Women’s Prize for Fiction and longlisted for the Man Booker Prize last year. Set in Nigeria, it tells the story of Korede who keeps coming to the aid of her sister, Ayoola, whenever she bumps off one of her boyfriends, always claiming self-defence each time. Grimly deadpan and satirical, it’s easy to see why the setting, tone and plot of this provocative debut all stand out for their originality. However, the paciness means it lacks a bit of depth, so I’m not too surprised it didn’t progress further in the literary prizes it was nominated for. Continue reading
I have an ever-growing list of anticipated books due to be published in 2020. Here are the titles I am looking forward to reading the most. All publication dates where known are for the United Kingdom only.
In non-fiction, Notes from an Apocalypse by Mark O’Connell is the Wellcome Book Prize-winning author’s second book after To Be a Machine. Due in April, it will explore how we get to grips with the future and the possible end of the world in an age of anxiety.
Also due in April, Fake Law: The Truth About Justice in an Age of Lies by The Secret Barrister promises to be an equally eye-opening account as his/her bestselling debut book of how the legal system really works, this time focusing on themes of ignorance, corruption and fake news. Continue reading
2019 is the first year non-fiction has more or less overtaken fiction in my reading. This is partly due to shadowing the Wellcome Book Prize at the beginning of the year. My favourite titles from this year’s longlist include the excellent This Really Isn’t About You by Jean Hannah Edelstein and The Trauma Cleaner by Sarah Krasnostein – the latter was our shadow panel winner.
Unfortunately, the Wellcome Book Prize has been paused for 2020. Mother Ship by Francesca Segal and The World I Fell Out Of by Melanie Reid would definitely have been on my longlist wishlist – two outstanding memoirs about the premature birth of twins and spinal injury respectively. This year’s Baillie Gifford Prize winner The Five by Hallie Rubenhold about the lives of Jack the Ripper’s victims is another stand-out title as is last year’s winner Chernobyl by Serhii Plokhy. Continue reading
I have been reading a lot of non-fiction over the last few weeks, and even the most recent novel I have read masquerades as a series of biographical sketches. ‘Their Brilliant Careers’ by Ryan O’Neill is introduced as a collection of sixteen portraits of Australian literary figures from the 20th century. It is a shame that the blurb and my review are forced by necessity to reveal that everything from the dedication to the index is invented, but O’Neill’s highly amusing pastiche more than makes up for this. Continue reading
I was invited to celebrate the launch of the BBC’s ‘Novels That Shaped Our World’ campaign at New Broadcasting House on Tuesday night with other book bloggers and vloggers. It begins a year-long celebration of literature at the BBC and also marks the 300th anniversary of ‘Robinson Crusoe’ by Daniel Defoe which is widely considered to be the first modern English novel.
Six writers and critics – Stig Abell, Syima Aslam, Juno Dawson, Kit de Waal, Mariella Frostrup and Alexander McCall Smith – have come up with a list of 100 novels that shaped our world. The list itself is not going to please everyone. It consists of English language titles only and it also includes several series such as the Earthsea trilogy and Discworld, so to call it a list of “100 novels” isn’t strictly true. However, I think those bemoaning the fact that it is not a collection of “greatest” novels featuring lots of worthy tomes are slightly missing the point, as it is very much a list of books which have had personal impact on the panellists. That’s not to say that books traditionally thought of as great literature are not here because they are (‘Pride and Prejudice’, ‘Middlemarch’, ‘Nineteen Eighty-Four’ and ‘To Kill A Mockingbird’ are among those which made the cut). But it seems to have upset some people that they appear alongside more modern books considered to be guilty pleasures (‘The Twilight Saga’ and ‘Riders’ being two which are typically excluded from these kind of lists). Organised thematically, it’s a bit like an updated version of The Big Read series from the early 2000s but without a public vote, thereby preventing the overrepresentation of Jeffrey Archer and Jacqueline Wilson this time. Continue reading
Shortlisted for the Man Booker Prize in 2018 and winner of the Pulitzer Prize for Fiction, ‘The Overstory’ by Richard Powers brings together nine stories in which the characters grow to realise the extent of the ecological crisis, particularly where trees are concerned. It is difficult to elaborate further on the plot in which the structural concept is, according to the blurb, based around “concentric rings of interlocking fable” which sees the various strands gradually become interlinked. The diverse cast of characters includes a war veteran, a biologist, a childless married couple and a college student who has a near-death experience. The first part ‘Roots’ reads more like a collection of short stories in which trees feature in one way or another. However, links between the characters start to emerge in the second part ‘Trunk’ and the narrative finally starts to read more like a novel. Continue reading
Autumn usually sees the publication of novels by popular authors in the run-up to Christmas and there are some excellent ones appearing on the shelves this year. ‘Akin’ by Emma Donoghue tells the story of Noah Selvaggio is a widower and retired chemistry professor born in France and based in New York. He is planning his first visit back to Nice since he was a child in time for his 80th birthday. However, he discovers he has an 11-year-old great-nephew called Michael whose father died from a drug overdose and whose mother is in prison. Noah is the only relative available to take care of Michael and he decides to take him along on his trip of a lifetime. Continue reading
‘All Among the Barley’ by Melissa Harrison tells the story of fourteen-year-old Edie Mather, living at Wych Farm in the East Anglian countryside in 1933 with her family. The impact of the Great War and the Depression is still being felt and the fickle nature of the weather and the outcome of the harvest are a constant worry. Bookish Edie is naïve and impressionable and the arrival of former Suffragette Constance FitzAllen brings new ideas to the community and repercussions for the Mather family. Continue reading
I haven’t read any of this year’s Booker Prize longlist yet, but I have read two of the novels shortlisted for the Guardian’s Not the Booker prize which recognises an alternative selection of eligible books chosen by the public, judges and book champions. ‘Spring’ by Ali Smith wouldn’t look out of place on this year’s official Booker Prize longlist which mostly consists of novels by established authors, although I have read that her novels are no longer submitted to literary awards for consideration. It is the third book in Smith’s quartet of seasonally themed novels following Autumn (which was shortlisted for the Man Booker Prize in 2016) and Winter. Continue reading
The Booker Prize longlist (no longer sponsored by the Man Group) for 2019 is due to be announced on Wednesday 24th July which means it’s time for another game of what Julian Barnes once termed “posh bingo”. I’ve come up with a list of predictions in terms of what I think could be some strong possibilities alongside my own personal preferences, based on a few eligible books I have read in recent months as well as ones I haven’t. As ever, I have no idea which novels have actually been submitted for consideration.
Of the eligible books I have read, one of the most striking titles is Throw Me To The Wolves by Patrick McGuinness which is a literary crime novel loosely based on what happened to Christopher Jefferies when he was wrongly accused of murder and follows the 2011 shortlisting for McGuinness’s debut novel The Last Hundred Days. I would also like to see Little by Edward Carey on the longlist which is a fictionalised account of the early life of Madame Tussaud. Continue reading
I watched the excellent film adaptation of ‘The Wife’ by Meg Wolitzer recently (currently available to stream on Netflix in the UK) and still had Glenn Close’s performance in mind when I read the book which was first published in 2003, so this week’s blog post is more of a joint review of both. Joan has been married to celebrated novelist Joe Castleman for forty years after meeting in the late 1950s. She was his student in a creative writing class at Smith College and they began an affair which ended his first marriage. In the present day, they are travelling to Scandinavia where Joe is due to receive a literary award – the Nobel Prize for Literature in the film, the fictional Helsinki Prize in the book, which is said to be slightly less important than the Nobel Prize for Literature but prestigious nonetheless. However, during the flight, Joan decides that enough is enough and plans to end their marriage after years of putting up with Joe’s philandering. Continue reading