‘Feel Free’ is a new collection of over thirty essays, reviews and interviews by Zadie Smith divided into five sections. The first and last of these, ‘In the World’ and ‘Feel Free’, cover current events and some autobiographical “life writing”, while ‘In the Audience’, ‘In the Gallery’ and ‘On the Bookshelf’ concern her musings on film, art and writing respectively.
Covering a vast array of topics, the collection opens with an impassioned defence of libraries (“the only thing left on the high street that doesn’t want either your soul or your wallet”) while a new security fence constructed around her daughter’s primary school is the springboard for a nuanced and insightful piece on Brexit. As to be expected, some of the more in-depth reviews may only be of real interest for those who already know about the subject matter. I am familiar with some of the films and authors discussed here (‘The Social Network’, ‘Get Out’ and Karl Ove Knausgaard are all featured), but it has to be said that the more academic essays about art were less appealing to me and I skimmed most of these. As well as subject matter, the essays were originally written for very different audiences across different publications and while many pieces first appeared in the New York Review of Books and Harper’s magazine, some were delivered as lectures. Continue reading
‘Winter’ is the second volume in the seasons cycle of novels by Ali Smith. It is loosely set at a family gathering in which twenty-something Art (Arthur) visits his mother Sophia Cleves in Cornwall over Christmas. Art has recently been dumped by Charlotte and hires a Croatian-Canadian immigrant, Lux, to pretend to be his girlfriend. Meanwhile, Sophia has a frosty relationship with her subversive sister Iris who has a long history of political activism. Continue reading
‘Harmless Like You’ by Rowan Hisayo Buchanan tells the story of Yukiko Oyama, a teenager in New York in 1968 whose parents move back to Japan after emigrating to the United States when she was a child. She decides to stay in New York with her friend Odile to pursue her dream of becoming an artist. Many years later, her son Jay, who has recently become a father himself, travels to Berlin to find his estranged mother and inform Yuki that his father has died and has left the house to her in his will. The journey also leads Jay to discover why Yuki abandoned him suddenly when he was just two years old. Continue reading
‘Autumn’ is the first of four books in a planned series of novels by Ali Smith named after the seasons and which focus on how we experience time. Set during the fallout of the Brexit referendum result in 2016, it follows the friendship between Elisabeth Demand, a thirty-two-year-old history of art lecturer and her eccentric 101-year-old former next-door neighbour Daniel Gluck who is spending his dying days in an assisted care facility. Continue reading
‘The Muse’ by Jessie Burton tells the story of a young Trinidadian woman Odelle Bastien who lands a job as a typist at the prestigious Skelton art gallery in London in 1967, five years after she moved to the city. Odelle’s new boyfriend Lawrie has recently inherited a painting rumoured to be the work of Isaac Robles, a talented young Spanish artist who mysteriously disappeared during the Civil War in the 1930s. The painting causes quite a stir at the Skelton and Odelle’s enigmatic boss, Marjorie Quick, appears to have a personal interest in the painting as well as a professional one. Odelle sets out to uncover the true origins of the lost masterpiece whose secrets lie with the wealthy Anglo-Austrian Schloss family who employed Isaac’s sister Teresa as their housekeeper in Malaga at the beginning of the war. Continue reading
‘The Hare with Amber Eyes: A Hidden Inheritance’ is Edmund de Waal’s highly acclaimed memoir tracing his family history through a collection of objects. In the early 1990s, De Waal studied ceramics in Tokyo as part of a two-year scholarship where he met his great-uncle Ignace (Iggie). Following Iggie’s partner’s death, de Waal inherited 264 Japanese miniature wood and ivory carvings known as netsuke often representing animals, people or mythical creatures. Traditionally used as toggles to attach carrying pouches to Japanese robes, netsuke were originally designed to be useful everyday objects rather than purely decorative ones. De Waal became intrigued by the story behind the collection and how it came to be passed down through the generations of his family across the world. Continue reading
Now that the shortlist for the Independent Foreign Fiction Prize has been released, I am taking a break from reading and reviewing translated fiction for a while. ‘How to be both’ by Ali Smith has been shortlisted for just about every major literary award in recent months including the Man Booker Prize, the Folio Prize, the Baileys Women’s Prize for Fiction and the Costa Book Awards as well as winning the Goldsmiths Prize and the more I have heard about it in recent months, the more I have wanted to read it. One half is set in fifteenth century Italy and tells the story of al fresco Renaissance artist Franceshco del Cossa. The other half is set in modern Britain and tells the story of a sixteen-year-old girl called George whose mother has recently died. Continue reading
Although the saying “Don’t judge a book by its cover” is supposed to be metaphorical, the controversy surrounding the new Penguin Modern Classics edition of Roald Dahl’s ‘Charlie and the Chocolate Factory’ suggests that many readers care about actual book covers quite a lot. Variously described as postmodern, sexualised, creepy and downright terrifying, the new edition of Dahl’s best-loved book released next month ahead of its 50th anniversary has provoked some very strong reactions from readers and critics this week.
Last summer, I read ‘The Last Life‘ by Claire Messud but gave it a mixed review. I had expected a character-driven novel about French-Americans to be something I would really enjoy. However, I didn’t really get on with it and I wanted to try Messud’s latest novel, ‘The Woman Upstairs’, so I could find out whether it was just that particular book which wasn’t for me or her work in general. Continue reading
Founded in 1947 by Charles Ede, the Folio Society is an independent publisher with a reputation for producing beautifully illustrated books. This week, I was lucky enough to attend their spring titles launch event at the British Library in London.
I love ‘The Secret History’ by Donna Tartt which is one of my all-time favourite books and also really enjoyed ‘The Little Friend’ so one of the books I had been looking forward to reading the most is her new novel ‘The Goldfinch’ which I recently received as a Christmas present. Given that Tartt only publishes novels approximately once a decade, I expect nothing less than Great Things from her work. In other words, I can’t remember the last time I had such high expectations for a book.
This is a book igloo created by Colombian artist Miler Lagos. I could quite happily live here… not entirely sure how stable it is though. It would be kind of annoying if you really wanted to read one of the books that forms part of the dome but couldn’t remove it without the whole thing collapsing. Nightmare. Still super cool though.
I spotted this cover of ‘The Forgotten Waltz’ by Anne Enright today and realised it was exactly the same photograph as the one on my copy of ‘Les belles images’ by Simone de Beauvoir! I know this happens quite frequently in the publishing industry – I’m sure there must be similar examples of almost identical book covers for vampire fiction and you only need to look at the chick lit section in a bookshop to see that all the books invariably use the same sort of curly fonts and pink colour schemes as these so-called marketing experts think this will appeal to their target market. Admittedly, my copy of ‘Les belles images’ is a French edition so few people in the UK will have seen it, but is it really so hard to check that a photo from their stock hasn’t been used before?