Although the saying “Don’t judge a book by its cover” is supposed to be metaphorical, the controversy surrounding the new Penguin Modern Classics edition of Roald Dahl’s ‘Charlie and the Chocolate Factory’ suggests that many readers care about actual book covers quite a lot. Variously described as postmodern, sexualised, creepy and downright terrifying, the new edition of Dahl’s best-loved book released next month ahead of its 50th anniversary has provoked some very strong reactions from readers and critics this week.
Tag Archives: Cover Art
Winner of the Costa Novel Award in 2010, ‘The Hand That First Held Mine’ by Maggie O’Farrell features two alternating narratives. The first one is set in the 1950s and tells the story of Lexie, a young woman who runs away to start a new life in the Soho area of London and falls in love with Innes Kent, a magazine editor. The second is set in the present day and tells the story of Elina, a young Finnish woman who has just had a baby with her partner, Ted. The two generations are linked, but how? Continue reading
I spotted this cover of ‘The Forgotten Waltz’ by Anne Enright today and realised it was exactly the same photograph as the one on my copy of ‘Les belles images’ by Simone de Beauvoir! I know this happens quite frequently in the publishing industry – I’m sure there must be similar examples of almost identical book covers for vampire fiction and you only need to look at the chick lit section in a bookshop to see that all the books invariably use the same sort of curly fonts and pink colour schemes as these so-called marketing experts think this will appeal to their target market. Admittedly, my copy of ‘Les belles images’ is a French edition so few people in the UK will have seen it, but is it really so hard to check that a photo from their stock hasn’t been used before?