There were three novels which really stood out for me in 2022. Case Study by Graeme Macrae Burnet was longlisted for the Booker Prize last year and skilfully presents the fictional biography of psychoanalyst Arthur Collins Braithwaite as authentic source material.
Careless by Kirsty Capes is an excellent debut novel which was longlisted for this year’s Women’s Prize for Fiction. It is about a 15-year-old girl in care who discovers that she is pregnant and Capes handles the narrative very convincingly.
I’m Sorry You Feel That Way by Rebecca Wait is a memorable novel about the impact of mental health and dysfunctional family dynamics, which sounds depressing but is written with very dry humour.
A lot of my reading in 2021 has involved catching up on books published in 2020 or earlier, particularly among non-fiction. Hungry by Grace Dent and Bookworm by Lucy Mangan were among my favourite memoirs this year, and take a nostalgic look at the authors’ childhoods defined by food and books respectively. A Promised Land by Barack Obama was a hefty but impressively readable political memoir by the 44th President of the United States covering most of his first term, and hopefully it won’t be too long before the second volume is published.
Elsewhere in non-fiction, Square Haunting by Francesca Wade is an absorbing group biography of five modernist women who all lived in Mecklenburgh Square in Bloomsbury at various times between 1916 and 1940. Blood on the Page by Thomas Harding is one of the most unique and compelling true crime books I have come across in a long time, and follows the first murder trial to be held in secret in modern British history.
There are lots of reasons why 2020 has been an unusual year. One of them is that several books I have both read and enjoyed have won major literary prizes this year – more often than not, my longlist or shortlist preferences don’t get as far as taking the big cheques home with them. However, Shuggie Bain by Douglas Stuart won the Booker Prize this year – a debut novel about a young boy growing up in 1980s Glasgow (and I’m still feeling smug about including it in my predictions post back in July before it was even longlisted). Hamnet by Maggie O’Farrell won the Women’s Prize for Fiction for its moving portrayal of the death of William Shakespeare’s young son. And One Two Three Four by Craig Brown was awarded the Baillie Gifford Prize for Non-Fiction – a brilliantly original and comic biography of the Beatles told in 99 short chapters. Continue reading
2019 is the first year non-fiction has more or less overtaken fiction in my reading. This is partly due to shadowing the Wellcome Book Prize at the beginning of the year. My favourite titles from this year’s longlist include the excellent This Really Isn’t About You by Jean Hannah Edelstein and The Trauma Cleaner by Sarah Krasnostein – the latter was our shadow panel winner.
Unfortunately, the Wellcome Book Prize has been paused for 2020. Mother Ship by Francesca Segal and The World I Fell Out Of by Melanie Reid would definitely have been on my longlist wishlist – two outstanding memoirs about the premature birth of twins and spinal injury respectively. This year’s Baillie Gifford Prize winner The Five by Hallie Rubenhold about the lives of Jack the Ripper’s victims is another stand-out title as is last year’s winner Chernobyl by Serhii Plokhy. Continue reading
I have read a lot of great books this year, some new and some not quite so new. Here are some of my favourites:
Among new fiction titles, The Nix by Nathan Hill and Little Fires Everywhere by Celeste Ng were both memorable stand-outs. I also reread His Dark Materials by Philip Pullman ahead of the publication of La Belle Sauvage, the first part of the Book of Dust trilogy – a thrilling and imaginative story which did not disappoint. Solar Bones by Mike McCormack was an unexpected delight from this year’s Man Booker Prize longlist – beautifully written, gripping, funny and inventive. Continue reading