A lot of my reading in 2021 has involved catching up on books published in 2020 or earlier, particularly among non-fiction. Hungry by Grace Dent and Bookworm by Lucy Mangan were among my favourite memoirs this year, and take a nostalgic look at the authors’ childhoods defined by food and books respectively. A Promised Land by Barack Obama was a hefty but impressively readable political memoir by the 44th President of the United States covering most of his first term, and hopefully it won’t be too long before the second volume is published.
Elsewhere in non-fiction, Square Haunting by Francesca Wade is an absorbing group biography of five modernist women who all lived in Mecklenburgh Square in Bloomsbury at various times between 1916 and 1940. Blood on the Page by Thomas Harding is one of the most unique and compelling true crime books I have come across in a long time, and follows the first murder trial to be held in secret in modern British history.
There are a lot of new books coming in 2021. Here are the titles I am looking forward to reading the most, although I probably won’t get round to all of them this year. All publication dates where known apply to the United Kingdom only.
High-profile debut novels out in early 2021 include Luster by Raven Leilani and No One Is Talking About This by Patricia Lockwood whose memoir Priestdaddy I reviewed last month. Several of the books I will be looking out for are second novels by authors who have written impressive debuts. Hot Stew by Fiona Mozley is set in modern-day Soho in London and sounds like a real departure from the Booker Prize-shortlisted Elmet. The High House by Jessie Greengrass is the second novel by the author of Sight. It addresses climate change and is out in April. Panenka by Ronan Hessian sees the author of the word-of-mouth success Leonard and Hungry Paul return with his new novel in May about a man who is living with mistakes he made in the past. Out in February, Light Perpetual by Francis Spufford tells the possible stories of five children if they hadn’t been killed by a V2 bomb in London in 1944 – a very different concept and setting from the 18th century New York depicted in his debut Golden Hill.