I have been going through a mini crime phase in my reading across different genres recently, namely non-fiction, crime fiction and historical fiction. Here are three books I have enjoyed over the last few weeks:
Court Number One by Thomas Grant is an anthology of 11 significant trials held at the Central Criminal Court in London, more commonly known as the Old Bailey, during the 20th century. The majority of these deal with murders, but also include espionage and treason, and as the subtitle of the book promises, Grant shows how the trials defined modern Britain, particularly where attitudes towards social change are concerned. The earlier chapters tend to involve cases which have largely been forgotten such as the Camden Town murder trial in 1907 shortly after the court opened, while those in the second half of the century mostly remain notorious such as those involving John Christie, Ruth Ellis and Jeremy Thorpe. While some chapters are a tad overlong due to the considerable amount of detail, each case is outlined in a gripping narrative, capturing the essence of courtroom drama. Grant, a practising barrister, shines a light on the tactics involved and how and why the trials had the outcomes that they did. ‘Court Number One’ is ideal for a lay reader who wants to understand more about the history of the English criminal justice system, and would be a good companion to The Secret Barrister. Continue reading
It’s been a while since I’ve been to a literary event, and three years since I last went to Chiswick Book Festival in 2016, so another visit was long overdue. Yesterday, I went to two events: Sadie Jones talking to Cathy Rentzenbrink about her latest novel ‘The Snakes’ and Sonia Purnell discussing her book ‘A Woman of No Importance’ with Julia Wheeler.
‘The Snakes’ tells the story of Beatrice, the thirty-something daughter of multimillionaire property developer, Griff Adamson. Having more or less cut herself off from her parents and their money, she works as a psychotherapist and lives in a small flat with her husband Dan, an estate agent from a working-class background who doesn’t know the full extent of Bea’s family’s wealth. They plan to use their savings of a few thousand pounds to travel across Europe for a couple of months and stop to visit Bea’s brother Alex in the dilapidated hotel he runs in the south of France. However, Bea’s parents drop in for a surprise visit and when tragedy strikes, Bea is forced to confront some uncomfortable truths about the family’s past. Continue reading
I enjoyed Naomi Alderman’s Baileys Women’s Prize for Fiction-winning feminist dystopian novel The Power and I have recently read her 2006 debut ‘Disobedience’ which won the Sunday Times Young Writer of the Year Award and Orange Award for New Writers. It tells the story of Ronit Krushka who grew up in a strict Orthodox Jewish community in Hendon in north London and now lives in New York working as a financial analyst having turned her back on her faith and family. She is due to attend a memorial service for her estranged father who was a respected rabbi and it appears that Ronit’s cousin, Dovid, is likely to be his successor. However, when she returns to London, she discovers that Dovid has married Esti, her childhood best friend and former lover. Continue reading
You would be forgiven for thinking that I had pretty much abandoned fiction based on my blog content over the past few months, but I have started reading more novels again recently. Some aspects of Jessica Andrews’ debut ‘Saltwater’ reminded me a lot of ‘Sight’ by Jessie Greengrass, particularly in its visceral imagery concerning changing bodies and an emerging sense of self. Based on Andrews’ life so far, it also appears that there is a strong element of autofiction in this coming-of-age story in which Lucy is finding her way in the world from growing up in Sunderland to her student years in London to inheriting a cottage in Donegal from her grandfather after she graduates from university. Continue reading
’Transcription’ is the latest stand-alone novel by Kate Atkinson in which eighteen-year-old Juliet Armstrong is recruited straight out of school by MI5 in 1940 not long after her mother has died. Initially given secretarial tasks as well as the roles usually left to women such as making the tea, she soon begins transcription work monitoring the conversations held in a flat in Pimlico between Fascist sympathisers and an undercover British agent named Godfrey Toby who poses as a member of the Gestapo. A decade later, she is working as a radio producer of children’s programmes at the BBC believing that her wartime activities now lie in the past. However, a chance encounter with Godfrey (also known as John Hazeldine), some threatening notes and a sense that she is being followed remind her that the world of espionage is not one easily left behind and there are some who want Juliet to know that her actions have had far-reaching consequences. Continue reading
I will be taking a short break from blogging in December while I sort out moving to my new flat but I have been to two great book events this month to take my mind off some of the stress. Rebecca at Bookish Beck has been on a roll winning free tickets on Twitter recently and after our trip to see Wise Children at the theatre last month, we went to see Barbara Kingsolver in conversation with Samira Ahmed at the Royal Festival Hall in London a couple of weeks ago where we also met up with Laura from our Wellcome Book Prize shadow panel. Continue reading
I went to see ‘Wise Children’ at the Old Vic theatre in Waterloo last week after Rebecca of bookishbeck won a pair of tickets and very kindly offered her spare one to me. I also managed to track down a copy of the book from the library and read it this week. ‘Wise Children’ is Angela Carter’s final novel published in 1991 a year before her death and the stage adaptation is Emma Rice’s first project with her new theatre company (also called Wise Children) since leaving her role as artistic director at Shakespeare’s Globe in 2016.
Dora and Nora Chance are the illegitimate twin daughters of one of the great Shakespearean actors, Sir Melchior Hazard, whose twin brother Peregrine is believed to be dead. As Dora and Nora celebrate their 75th birthday towards the end of the 20th century, Melchior is about to turn 100 (and possibly Peregrine too…). The story is narrated by Dora who looks back on the sisters’ humble beginnings in south London brought up by the eccentric Grandma Chance and their career as a double act as chorus girls in the weird and wonderful world of Hollywood, theatre and music hall variety shows. Continue reading