The Man Booker Prize is celebrating its 50th anniversary this year with a “best of the best” Golden Man Booker Prize due to be awarded next month. However, while the winning novels have often been met by a mixed response, many of the shortlisted and longlisted titles have been well received and in some cases go on to be better known than those taking the prize that year. So if the past winners don’t inspire you, then here is a selection of “the best of the rest” to consider.
His Bloody Project by Graeme Macrae Burnet – shortlisted in 2016, this is a brilliantly original historical crime novel which blurs the line between fiction and non-fiction with outstanding results. Published by Saraband, a small Scottish independent press, I doubt I would have discovered this if it hadn’t been for the publicity generated by the Man Booker Prize. Continue reading
Today I’m very pleased to host a Q&A with Richard Lloyd Parry who has been shortlisted for the Rathbones Folio Prize for his brilliant book Ghosts of the Tsunami – one of the best books I read in 2017. It is a narrative non-fiction account about the aftermath of the tsunami which devastated the east coast of Japan on 11th March 2011 and how it impacted a small community where many people lost their lives. I’m very pleased that this riveting book has recently been shortlisted for the Rathbones Folio Prize – a relatively new literary award in which 60 fiction and non-fiction books are nominated by members of the Folio Academy and then whittled down to a shortlist of eight. This year’s list also includes two novels I have read and enjoyed very much: Conversations with Friends by Sally Rooney and Reservoir 13 by Jon McGregor.
Q&A with Richard Lloyd Parry
1. At what age did you know you wanted to become a writer?
Eighteen. I thought that wanted to direct plays, but brief experience at university made me realise how dependent theatre is on the temperamental peculiarities of other people. I prefer to work alone, or in a small team. Continue reading
The Man Booker International Prize 2018 longlist was announced yesterday. The 13 books are:
The 7th Function of Language by Laurent Binet, translated by Sam Taylor
The Impostor by Javier Cercas, translated by Frank Wynne
Vernon Subutex 1 by Virginie Despentes, translated by Frank Wynne
Go, Went, Gone by Jenny Erpenbeck, translated by Susan Bernofsky
The White Book by Han Kang, translated by Deborah Smith
Die, My Love by Ariana Harwicz, translated by Sarah Moses and Carolina Orloff
The World Goes On by László Krasznahorkai, translated by John Batki, Ottilie Mulzet and George Szirtes
Like a Fading Shadow by Antonio Muñoz Molina, translated by Camilo A Ramirez
The Flying Mountain by Christoph Ransmayr, translated by Simon Pare
Frankenstein in Baghdad by Ahmed Saadawi, translated by Jonathan Wright
Flights by Olga Tokarczuk, translated by Jennifer Croft
The Stolen Bicycle by Wu Ming-Yi, translated by Darryl Sterk
The Dinner Guest by Gabriela Ybarra, translated by Natasha Wimmer
Although I’m not participating in the shadow panel this year, I have been thinking about possible contenders for this year’s Man Booker International Prize longlist which is due to be announced tomorrow. My predictions last year were very wide off the mark – maybe this year I will manage more than one…
I have read a handful of eligible titles in recent months but I have only reviewed a couple of them on my blog:
Women Who Blow on Knots by Ece Temelkuran (translated from the Turkish by Alexander Dawe) – this is a book which has garnered increasing attention. I’m less sure about its shortlist chances – the plotting is a bit all over the place – but its topical themes contrast strongly with what is still likely to be a longlist dominated by male authors.
Men Without Women by Haruki Murakami (translated from the Japanese by Philip Gabriel and Ted Goossen) – short story collections are eligible as well as novels, although none have been longlisted so far. I enjoyed Murakami’s latest offering a lot and a place on the longlist would certainly help boost the profile of the Prize. Continue reading
The Women’s Prize for Fiction longlist has been announced today. The 16 titles are:
H(A)PPY by Nicola Barker
The Idiot by Elif Batuman
Three Things About Elsie by Joanna Cannon
Miss Burma by Charmaine Craig
Manhattan Beach by Jennifer Egan
The Mermaid and Mrs Hancock by Imogen Hermes Gowar
Sight by Jessie Greengrass
Eleanor Oliphant is Completely Fine by Gail Honeyman
When I Hit You: Or, A Portrait of the Writer as a Young Wife by Meena Kandasamy
Elmet by Fiona Mozley
The Ministry of Utmost Happiness by Arundhati Roy
See What I Have Done by Sarah Schmidt
A Boy in Winter by Rachel Seiffert
Home Fire by Kamila Shamsie
The Trick to Time by Kit de Waal
Sing, Unburied, Sing by Jesmyn Ward
The Women’s Prize for Fiction longlist is due to be announced on Thursday 8th March and I have been thinking about which books could make the cut. My predictions last year included the eventual winner The Power by Naomi Alderman which is satisfying but I also hope to be pleasantly surprised by the inclusion of some novels which are new to me.
For many years, there have been 20 titles on the longlist. However, there were supposed to be only 12 last year but the judges decided to increase their selection to 16. This year – who knows? Novels first published in the UK between 1st April 2017 and 31st March 2018 are eligible. Of those I have read, I would be particularly happy to see any of the following on the longlist:
Little Fires Everywhere by Celeste Ng – I really enjoyed this excellent novel set in Shaker Heights, Ohio in the 1990s which addresses adoption, abortion and surrogacy.
Elmet by Fiona Mozley – last year’s Man Booker Prize dark horse blends ancient folklore and dialect with modern settings and political debates. Continue reading
2018 marks the 50th anniversary of the Man Booker Prize and the organisers have launched a one-off prize to celebrate the best of the winning novels to date.
Five writers and poets will be choosing what they consider to be the best winner from each decade. The judges and their categories are Robert McCrum (1969-1979), Lemn Sissay (1980s), Kamila Shamsie (1990s), Simon Mayo (2000s) and Hollie McNish (2010s). There were joint winners in 1974 and 1992 hence why there are 51 winning novels to date. The “Golden Five” shortlisted books will go to a public vote between 26th May until 25th June and the winner will be announced at the Man Booker 50 festival at the Southbank Centre in London on 8th July. Continue reading