The Women’s Prize for Fiction 2019 longlist was announced earlier this week. The 16 nominated books are:
The Silence of the Girls by Pat Barker
Remembered by Yvonne Battle-Felton
My Sister, the Serial Killer by Oyinkan Braithwaite
The Pisces by Melissa Broder
Milkman by Anna Burns
Freshwater by Akwaeke Emezi
Ordinary People by Diana Evans
Swan Song by Kelleigh Greenberg-Jephcott
An American Marriage by Tayari Jones
Number One Chinese Restaurant by Lilian Li
Bottled Goods by Sophie van Llewyn
Lost Children Archive by Valeria Luiselli
Praise Songs for the Butterflies by Bernice L McFadden
Circe by Madeline Miller
Ghost Wall by Sarah Moss
Normal People by Sally Rooney Continue reading
The Women’s Prize for Fiction longlist is due to be announced on Thursday 8th March and I have been thinking about which books could make the cut. My predictions last year included the eventual winner The Power by Naomi Alderman which is satisfying but I also hope to be pleasantly surprised by the inclusion of some novels which are new to me.
For many years, there have been 20 titles on the longlist. However, there were supposed to be only 12 last year but the judges decided to increase their selection to 16. This year – who knows? Novels first published in the UK between 1st April 2017 and 31st March 2018 are eligible. Of those I have read, I would be particularly happy to see any of the following on the longlist:
Little Fires Everywhere by Celeste Ng – I really enjoyed this excellent novel set in Shaker Heights, Ohio in the 1990s which addresses adoption, abortion and surrogacy.
Elmet by Fiona Mozley – last year’s Man Booker Prize dark horse blends ancient folklore and dialect with modern settings and political debates. Continue reading
As some of you may already know, August is Women in Translation Month (founded by book blogger Meytal at Biblibio in 2014) which aims to increase readership of translated books by female authors and raise awareness of the gender imbalance in publishing (estimates vary but currently only around 25-30% of books translated into English are by female authors). The three titles I have been reading this month from authors based in Israel, Austria and Mexico showcase the variety of fiction written by women around the world and championed by independent publishers Pushkin Press, Peirene Press and Granta.
Waking Lions by Ayelet Gundar-Goshen (translated from the Hebrew by Sondra Silverston) tells the story of Dr Eitan Green, a neurosurgeon who has recently relocated to the Israeli city of Beersheba and is involved in a collision with an illegal Eritrean immigrant while he is driving home from work through the desert. In a panic, Eitan leaves him to die at the side of the road, but the dead man’s widow shows up the next day on his doorstep holding his wallet which he left at the scene and blackmails him into providing medical assistance to other illegal immigrants in the area. To complicate matters even further, Eitan’s wife Liat is the police detective tasked with uncovering the identity of the driver who left the scene of the hit-and-run. Continue reading
Political events across the world continue to move at a whirlwind pace, particularly here in the UK. Here are my recommendations for three recent non-fiction books about British politics.
‘The Women Who Shaped Politics’ by Sophy Ridge offers a broad overview of the female campaigners and Members of Parliament who have shifted the political landscape in Westminster. The first half focuses on historical pioneers such as Mary Wollstonecraft and those involved in the suffragette movement while the second half draws on interviews with a range of contemporary female politicians including current Prime Minister Theresa May. Continue reading
The Baileys Women’s Prize for Fiction longlist for 2017 was announced today. The 16 books are:
Stay With Me by Ayòbámi Adébáyò
The Power by Naomi Alderman
Hag-Seed by Margaret Atwood
Little Deaths by Emma Flint
The Mare by Mary Gaitskill
The Dark Circle by Linda Grant
The Lesser Bohemians by Eimear McBride
Midwinter by Fiona Melrose
The Sport of Kings by CE Morgan
The Woman Next Door by Yewande Omotoso
The Lonely Hearts Hotel by Heather O’Neill
The Essex Serpent by Sarah Perry
Barkskins by Annie Proulx
First Love by Gwendoline Riley
Do Not Say We Have Nothing by Madeleine Thien
The Gustav Sonata by Rose Tremain Continue reading
Having had some success with my Man Booker Prize predictions last year with three of my choices appearing on the longlist, I have been thinking about possible contenders for the Baileys Women’s Prize for Fiction ahead of the longlist announcement on Wednesday 8th March.
As with my Man Booker Prize predictions list, I have been considering eligible books in terms of preferences and possibilities. There will be just 12 books on the longlist this year, down from 20 in previous years. This makes it much harder to narrow down my choices but my top personal preferences include:
This Must Be the Place by Maggie O’Farrell – O’Farrell’s seventh novel spanning across decades and continents is among her finest in my opinion.
The Essex Serpent by Sarah Perry – a critical and commercial success, Perry’s second novel didn’t make the Man Booker Prize longlist and it will be surprising to many if it misses out on this one too.
The Tidal Zone by Sarah Moss – another book I hoped would be a Man Booker Prize contender last summer, I would really like to see Moss’s fifth novel recognised by the Baileys Prize judges. Continue reading
One of the books which kept cropping up frequently in lots of end-of-year book lists last month was ‘The Power’ by Naomi Alderman and so it got bumped up my TBR list as one of my not-very-festive Christmas holiday reads. The main concept of Alderman’s fourth novel explores what would or could happen in a world where women become more powerful than men in every sense. Due to a mutation caused by a nerve agent used during the Second World War, teenage girls develop the ability to release electrical jolts through their fingertips which can be either harmless or strong enough to kill people. The “power” eventually spreads and although it is initially used by women as a deterrent against violent and abusive men who have oppressed them, it has far-reaching implications beyond that. Continue reading