I’ve been a bit out of the loop with translated fiction in the last few months as non-fiction seems to have taken over my reading recently and I am currently shadowing the Wellcome Book Prize. However, the Man Booker International Prize longlist was announced this week (to be known as the International Booker Prize when the Man Group sponsorship ends this year). The 13 titles are:
Celestial Bodies by Jokha Alharthi (Oman), translated from the Arabic by Marilyn Booth
Love in the New Millennium by Can Xue (China), translated from the Chinese by Annelise Finegan
The Years by Annie Ernaux (France), translated from the French by Alison Strayer
At Dusk by Hwang Sok-yong (South Korea), translated from the Korean by Sora Kim-Russell
Jokes for the Gunmen by Mazen Maarouf (Iceland and Palestine), translated from the Arabic by Jonathan Wright
Four Soldiers by Hubert Mingarelli (France), translated from the French by Sam Taylor
The Pine Islands by Marion Poschmann (Germany), translated from the German by Jen Calleja
Mouthful of Birds by Samanta Schweblin (Argentina and Italy), translated from the Spanish by Megan McDowell
The Faculty of Dreams by Sara Stridsberg (Sweden), translated from the Swedish by Deborah Bragan-Turner
Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk (Poland), translated from the Polish by Antonia Lloyd-Jones
The Shape of the Ruins by Juan Gabriel Vásquez (Colombia), translated from the Spanish by Anne McLean
The Death of Murat Idrissi by Tommy Wieringa (Netherlands), translated from the Dutch by Sam Garrett
The Remainder by Alia Trabucco Zerán (Chile and Italy), translated from the Spanish by Sophie Hughes
Winner of the Baillie Gifford Prize for Non-Fiction last year, ‘Chernobyl: History of a Tragedy’ by Serhii Plokhy is a comprehensive account of the worst nuclear accident in history. The small Ukrainian city will forever be associated with the explosion which occurred on 26th April 1986 after a failed safety test. It is now a key destination for “disaster tourism”, despite the 30-mile exclusion zone which is still in place around the site of the reactor which will remain unfit for human habitation for 20,000 years. The technical statistics are staggering – the radiation released by the explosion was equivalent to 500 Hiroshima bombs spreading rapidly across Europe – and the human cost of those affected by radiation sickness is incalculable. 
I had heard of ‘Educated’ before it was longlisted for the Wellcome Book Prize but hadn’t considered Tara Westover’s widely acclaimed memoir of her childhood growing up in a Mormon fundamentalist family in rural Idaho as a possible contender. Although not immediately obvious from the title or basic premise of the book, there are numerous connections to the main thematic criteria of the prize related to health. Isolated from mainstream society by radical survivalist parents, Westover and her six older siblings didn’t attend school and the family never saw doctors – even serious incidents like car accidents and third degree burns were treated at home with her mother’s herbal tinctures rather than at hospital. She didn’t receive a birth certificate until she was nine years old and spent most of her time working at her father’s junkyard, later studying independently at home. 
I really enjoyed watching the HBO TV mini-series adaptation of ‘Olive Kitteridge’ last year and have been keen to read the original book by Elizabeth Strout which won the Pulitzer Prize for Fiction in 2009. It is a novel in the form of 13 linked short stories set in the coastal town of Crosby, Maine centred around the life of the eponymous character during late middle age after retiring from her job as a junior high school maths teacher. Her gregarious husband, Richard, is a pharmacist and her son, Christopher, is a podiatrist. However, there are long-standing tensions in the family with Olive seemingly unable to communicate affection towards those closest to her. 
I imagine that the majority of the books submitted for consideration are non-fiction titles (they usually dominate the shortlists at any rate) but there are a fair number of novels which could also be in the running, even though the thematic criteria is more subjective. An obvious contender among fiction titles is 
Since starting this blog, I have read various memoirs by medical professionals – a genre which provides thought-provoking insight into the practical and emotional side of modern medicine. From Atul Gawande to Suzanne O’Sullivan to Kathryn Mannix, each has offered new insight into their work and area of expertise, often through the stories of individual patients. I have recently read two more books which broaden the scope of the genre beyond case studies and explore other aspects of the author’s personal lives, careers and their specialties.
’Transcription’ is the latest stand-alone novel by Kate Atkinson in which eighteen-year-old Juliet Armstrong is recruited straight out of school by MI5 in 1940 not long after her mother has died. Initially given secretarial tasks as well as the roles usually left to women such as making the tea, she soon begins transcription work monitoring the conversations held in a flat in Pimlico between Fascist sympathisers and an undercover British agent named Godfrey Toby who poses as a member of the Gestapo. A decade later, she is working as a radio producer of children’s programmes at the BBC believing that her wartime activities now lie in the past. However, a chance encounter with Godfrey (also known as John Hazeldine), some threatening notes and a sense that she is being followed remind her that the world of espionage is not one easily left behind and there are some who want Juliet to know that her actions have had far-reaching consequences. 
‘Melmoth’ by Sarah Perry tells the story of Helen Franklin, a British woman in her forties working as a translator in Prague where she has lived for some twenty years in self-imposed exile. Her friend Karel has come into possession of the papers of fellow scholar Josef Hoffman who has recently been found dead in the National Library. Among the papers is a manuscript which tells of Melmoth the Witness, an obscure legend in which, according to superstition, Melmoth travels through the ages, persuading those wracked with guilt to wander alongside her on a journey of eternal damnation. Helen’s initial scepticism of the legend wanes when Karel disappears and she is forced to confront the reasons why she cannot forgive herself for the outcome of events in her own past.
Kings of the Yukon: An Alaskan River Journey by Adam Weymouth won this year’s 
I will be taking a short break from blogging in December while I sort out moving to my new flat but I have been to two great book events this month to take my mind off some of the stress. Rebecca at 
By coincidence, I have recently read two collections of short fiction by two of my favourite authors which bring together stories united around specific themes. ‘Property’ is Lionel Shriver’s first collection of short stories which all address the title’s literal definition in relation to real estate and also in a more figurative sense as ownership and possession. Ten shorter pieces many of which have previously been published in magazines are bookended by two novellas ‘The Standing Chandelier’ about the dynamics of Weston Babansky’s 20+ year friendship with Jillian Frisk and her unusual choice of wedding gift when he marries his girlfriend Paige and ‘The Subletter’ written in 1999 about an American journalist living in Belfast during the Troubles who has territorial struggles of her own. 
‘Little’ by Edward Carey is a fictionalised account of the early life of Madame Tussaud who founded the famous waxwork museum in London that bears her name. Born Anne Marie Grosholtz in 1761 and orphaned as a young child, she is employed by Swiss wax sculptor, Doctor Curtius, who makes anatomical models in his studio and names his young apprentice ‘Little’ on account of her small stature. When Curtius’ financial difficulties finally catch up with him, they move to Paris where they take rooms with widow Charlotte Picot who helps transform the business and set up popular exhibitions displaying wax replicas of the heads of noblemen and famous murderers. She banishes Marie to work in the kitchen out of jealousy but following a surprise visit by Princess Elisabeth, the youngest sister of King Louis XVI, Marie is invited to become her wax modelling tutor at the Palace of Versailles. However, with revolution on the horizon, nobody associated with the Royal Family is safe from the threat of the guillotine. 
The winner of this year’s Man Booker Prize was announced last month. While ‘The Overstory’ by Richard Powers and ‘Washington Black’ by Esi Edugyan appeared to be the favourites to win among bloggers I follow, ‘Milkman’ by Anna Burns triumphed in the end. I’m undecided about whether or not to read it. There has been a lot of focus on the experimental prose style and the question of its “readability” with its unnamed characters and paragraphs without breaks. However, when chair of the judges Kwame Anthony Appiah said “I spend my time reading articles in the Journal of Philosophy so by my standards this is not too hard”, I wasn’t sure he really succeeded in selling it to a wider audience. On the other hand, it should be noted that the actual sales figures since Burns’ win tell a different story and it will be interesting to see how it is critically received in the long term. Do let me know what you think of ‘Milkman’
I went to see ‘Wise Children’ at the Old Vic theatre in Waterloo last week after Rebecca of 
It’s been almost three years since 
Medieval Bodies: Life, Death and Art in the Middle Ages by Jack Hartnell makes a convincing case against the widely held perception of the Middle Ages as a bloodthirsty and violent period of history where beliefs about medicine were guided primarily by superstition. Instead, the reality is shown to be very different in Hartnell’s examination of how medieval people experienced their physical selves. Each chapter of this lavishly illustrated book focuses on a different part of the body and explores their cultural significance and how medieval attitudes towards them were shaped by a range of influences.
A Little Blog of Books 
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