After a long period of reading either novels or non-fiction, I have been reading some short story collections recently, possibly a result of my slightly shorter attention span in recent weeks.
I found a copy of Treats by Lara Williams in a charity shop shortly after I read the author’s debut novel Supper Club which was published last summer. This very short collection – 21 stories in just over 100 pages – published in 2016 by the now-defunct Freight Books includes more of the same sharply observed prose about modern life, usually from the point of view of millennial age characters. Consequently, Williams is particularly good on the ways in which reality does not always meet expectations, whether it’s graduate job-hunting, relationships after university or creative writing courses. Her stories written in the second person are also very effective – a tricky perspective to get right. Overall, this is a fresh contemporary collection written by a striking new voice. Continue reading

















‘Babel: Around the World in 20 Languages’ by Gaston Dorren takes the reader on a fascinating tour of the most popular languages spoken across the world today. Out of approximately 6,000 different languages currently in use, over half of the world’s population speak at least one of the top 20 as a mother tongue, from Vietnamese (85 million speakers) to English (over 1.5 billion speakers), spanning all corners of the globe.
Shortlisted for the Man Booker Prize in 2018 and winner of the Pulitzer Prize for Fiction, ‘The Overstory’ by Richard Powers brings together nine stories in which the characters grow to realise the extent of the ecological crisis, particularly where trees are concerned. It is difficult to elaborate further on the plot in which the structural concept is, according to the blurb, based around “concentric rings of interlocking fable” which sees the various strands gradually become interlinked. The diverse cast of characters includes a war veteran, a biologist, a childless married couple and a college student who has a near-death experience. The first part ‘Roots’ reads more like a collection of short stories in which trees feature in one way or another. However, links between the characters start to emerge in the second part ‘Trunk’ and the narrative finally starts to read more like a novel.



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