I have read four books on this year’s Booker Prize longlist so far. All four are debut novels – there are eight in total on the 13-strong longlist – and two of them have made the shortlist.
Such A Fun Age by Kiley Reid is about a young African-American woman, Emira, who is accused of abducting the white toddler she is looking after in an upmarket grocery store in Philadelphia. The toddler’s mother, Alix Chamberlain, is a wealthy white social media influencer who is at pains to show Emira how “woke” she is, lacking the self-awareness to realise that her attempts to be more progressive end up becoming the total opposite, and often result in her becoming more controlling and insecure. After the incident in the grocery store, Emira starts a relationship with Kelley Copeland, a white man who has a connection with Alix’s past. The novel is a slow-burn after the initial confrontation scene and the structure is a bit all over the place, but overall, ‘Such A Fun Age’ is subtly written with a great sense of irony and skewers “white saviour” hypocrisy very effectively. Continue reading















Shortlisted for the Man Booker Prize in 2018 and winner of the Pulitzer Prize for Fiction, ‘The Overstory’ by Richard Powers brings together nine stories in which the characters grow to realise the extent of the ecological crisis, particularly where trees are concerned. It is difficult to elaborate further on the plot in which the structural concept is, according to the blurb, based around “concentric rings of interlocking fable” which sees the various strands gradually become interlinked. The diverse cast of characters includes a war veteran, a biologist, a childless married couple and a college student who has a near-death experience. The first part ‘Roots’ reads more like a collection of short stories in which trees feature in one way or another. However, links between the characters start to emerge in the second part ‘Trunk’ and the narrative finally starts to read more like a novel.
Autumn usually sees the publication of novels by popular authors in the run-up to Christmas and there are some excellent ones appearing on the shelves this year. ‘Akin’ by Emma Donoghue tells the story of Noah Selvaggio is a widower and retired chemistry professor born in France and based in New York. He is planning his first visit back to Nice since he was a child in time for his 80th birthday. However, he discovers he has an 11-year-old great-nephew called Michael whose father died from a drug overdose and whose mother is in prison. Noah is the only relative available to take care of Michael and he decides to take him along on his trip of a lifetime.
‘All Among the Barley’ by Melissa Harrison tells the story of fourteen-year-old Edie Mather, living at Wych Farm in the East Anglian countryside in 1933 with her family. The impact of the Great War and the Depression is still being felt and the fickle nature of the weather and the outcome of the harvest are a constant worry. Bookish Edie is
I haven’t read any of this year’s Booker Prize longlist yet, but I have read two of the novels shortlisted for the Guardian’s
The Booker Prize longlist (no longer sponsored by the Man Group) for 2019 is due to be announced on Wednesday 24th July which means it’s time for another game of what Julian Barnes once termed “posh bingo”. I’ve come up with a list of predictions in terms of what I think could be some strong possibilities alongside my own personal preferences, based on a few eligible books I have read in recent months as well as ones I haven’t. As ever, I have no idea which novels have actually been submitted for consideration.
I watched the excellent film adaptation of ‘The Wife’ by Meg Wolitzer recently (currently available to stream on Netflix in the UK) and still had Glenn Close’s performance in mind when I read the book which was first published in 2003, so this week’s blog post is more of a joint review of both. Joan has been married to celebrated novelist Joe Castleman for forty years after meeting in the late 1950s. She was his student in a creative writing class at Smith College and they began an affair which ended his first marriage. In the present day, they are travelling to Scandinavia where Joe is due to receive a literary award – the Nobel Prize for Literature in the film, the fictional Helsinki Prize in the book, which is said to be slightly less important than the Nobel Prize for Literature but prestigious nonetheless. However, during the flight, Joan decides that enough is enough and plans to end their marriage after years of putting up with Joe’s philandering.
I enjoyed Patrick McGuinness’s debut
I enjoyed Naomi Alderman’s Baileys Women’s Prize for Fiction-winning feminist dystopian novel
You would be forgiven for thinking that I had pretty much abandoned fiction based on my blog content over the past few months, but I have started reading more novels again recently. Some aspects of Jessica Andrews’ debut ‘Saltwater’ reminded me a lot of ‘Sight’ by Jessie Greengrass, particularly in its visceral imagery concerning changing bodies and an emerging sense of self. Based on Andrews’ life so far, it also appears that there is a strong element of autofiction in this coming-of-age story in which Lucy is finding her way in the world from growing up in Sunderland to her student years in London to inheriting a cottage in Donegal from her grandfather after she graduates from university.
The opening paragraph of ‘XX’ by Angela Chadwick is as good as any to sum up the premise of her debut novel published last year: “After years of controversial research, scientists at Portsmouth University’s Centre for Reproductive Medicine have this morning announced plans to create IVF babies from two women. They’re pushing for a change to the Human Fertilisation and Embryology Act that will make it legal to fertilise an egg with genetic material from a second female.” Lesbian couple Rosie and Jules are quick to take up the opportunity to have a baby of their own through the means of a groundbreaking clinical trial, but a backlash from right-wing movements inevitably creates problems along the way. 



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