Booker Prize longlist predictions are rarely dominated by one book, but the question of whether or not The Mirror and the Light by Hilary Mantel will make the cut will shape a lot of the debate this year. It would open up the potential for Mantel to be the first author to win the Booker Prize three times following the first two books in the trilogy about the life of Thomas Cromwell, Wolf Hall in 2009 and Bring Up the Bodies in 2013.
If the judges do select ‘The Mirror and the Light’, they will still need to nominate another 12 books to sit alongside it on the “Booker dozen” longlist. I haven’t read many eligible books this year due to library closures during lockdown which is my main source of new books. However, I was lucky enough read a review copy of Summerwater by Sarah Moss which is due to be published next month and I would very much like to see Moss receive a long overdue nomination for this brilliantly unnerving novel set in a Scottish holiday park. I also enjoyed Scabby Queen by Kirstin Innes which is about the life of a Scottish pop star and political activist who takes her own life. Continue reading
I haven’t read any of this year’s Booker Prize longlist yet, but I have read two of the novels shortlisted for the Guardian’s 
The Booker Prize 2019 longlist was announced on Wednesday. The 13 titles are:
The Booker Prize longlist (no longer sponsored by the Man Group) for 2019 is due to be announced on Wednesday 24th July which means it’s time for another game of what Julian Barnes once termed “posh bingo”. I’ve come up with a list of predictions in terms of what I think could be some strong possibilities alongside my own personal preferences, based on a few eligible books I have read in recent months as well as ones I haven’t. As ever, I have no idea which novels have actually been submitted for consideration.
I watched the excellent film adaptation of ‘The Wife’ by Meg Wolitzer recently (currently available to stream on Netflix in the UK) and still had Glenn Close’s performance in mind when I read the book which was first published in 2003, so this week’s blog post is more of a joint review of both. Joan has been married to celebrated novelist Joe Castleman for forty years after meeting in the late 1950s. She was his student in a creative writing class at Smith College and they began an affair which ended his first marriage. In the present day, they are travelling to Scandinavia where Joe is due to receive a literary award – the Nobel Prize for Literature in the film, the fictional Helsinki Prize in the book, which is said to be slightly less important than the Nobel Prize for Literature but prestigious nonetheless. However, during the flight, Joan decides that enough is enough and plans to end their marriage after years of putting up with Joe’s philandering. 
I enjoyed Naomi Alderman’s Baileys Women’s Prize for Fiction-winning feminist dystopian novel 
I imagine that the majority of the books submitted for consideration are non-fiction titles (they usually dominate the shortlists at any rate) but there are a fair number of novels which could also be in the running, even though the thematic criteria is more subjective. An obvious contender among fiction titles is 
‘Melmoth’ by Sarah Perry tells the story of Helen Franklin, a British woman in her forties working as a translator in Prague where she has lived for some twenty years in self-imposed exile. Her friend Karel has come into possession of the papers of fellow scholar Josef Hoffman who has recently been found dead in the National Library. Among the papers is a manuscript which tells of Melmoth the Witness, an obscure legend in which, according to superstition, Melmoth travels through the ages, persuading those wracked with guilt to wander alongside her on a journey of eternal damnation. Helen’s initial scepticism of the legend wanes when Karel disappears and she is forced to confront the reasons why she cannot forgive herself for the outcome of events in her own past.
I will be taking a short break from blogging in December while I sort out moving to my new flat but I have been to two great book events this month to take my mind off some of the stress. Rebecca at 
The winner of this year’s Man Booker Prize was announced last month. While ‘The Overstory’ by Richard Powers and ‘Washington Black’ by Esi Edugyan appeared to be the favourites to win among bloggers I follow, ‘Milkman’ by Anna Burns triumphed in the end. I’m undecided about whether or not to read it. There has been a lot of focus on the experimental prose style and the question of its “readability” with its unnamed characters and paragraphs without breaks. However, when chair of the judges Kwame Anthony Appiah said “I spend my time reading articles in the Journal of Philosophy so by my standards this is not too hard”, I wasn’t sure he really succeeded in selling it to a wider audience. On the other hand, it should be noted that the actual sales figures since Burns’ win tell a different story and it will be interesting to see how it is critically received in the long term. Do let me know what you think of ‘Milkman’
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