I have read some excellent books in 2016 both new and not-quite-so-new. Here is a selection of my favourite reads of 2016:
Favourite fiction
My reading has been dominated by female authors more than ever this year. This isn’t something I deliberately set out to achieve but it is fantastic to see so many brilliant books written by women getting widespread attention. I highly recommend The Tidal Zone by Sarah Moss and The Wonder by Emma Donoghue which could be possible contenders for next year’s Wellcome Book Prize awarded to a fiction or non-fiction book about health or medicine.
I really enjoyed The Essex Serpent by Sarah Perry which is one of the most original historical novels I have read in a long time while other recent favourites with a more modern setting include Swing Time by Zadie Smith, the Brexit-themed Autumn by Ali Smith and This Must Be The Place by Maggie O’Farrell. Continue reading
Translated from the Norwegian by Rosie Hedger, ‘The Bird Tribunal’ by Agnes Ravatn tells the story of Allis Hagtorn, a former TV presenter who goes into self-imposed exile from her home, job and partner after she is involved in a scandal at work. She finds a new job as a housekeeper and gardener for a man called Sigurd Bagge in the middle of nowhere despite having no real experience in that type of role. Before arriving at his isolated house by the Norwegian fjords, she expects to be caring for an elderly man but discovers on arrival that Sigurd is in his forties and is not much older than her, simply requiring some extra help in the house and garden while his wife is away. Sigurd rarely talks to Allis and has violent mood swings but she finds herself being increasingly drawn to him. 
Although Ian McEwan has tackled a vast range of subject matters in his literary fiction, many of his books fall into specific categories or share distinct themes. There are the early macabre works like ‘The Cement Garden’, the espionage stories such as ‘The Innocent’ or 
I really enjoyed 
‘Autumn’ is the first of four books in a planned series of novels by Ali Smith named after the seasons and which focus on how we experience time. Set during the fallout of the Brexit referendum result in 2016, it follows the friendship between Elisabeth Demand, a thirty-two-year-old history of art lecturer and her eccentric 101-year-old former next-door neighbour Daniel Gluck who is spending his dying days in an assisted care facility. 
‘Swing Time’ by Zadie Smith tells the story of two mixed-race girls, an unnamed narrator and her friendship with Tracey who grow up together on neighbouring council estates in north-west London in the 1980s. From Fred Astaire to Michael Jackson, music and dance dominate their lives but it is only Tracey who has the real talent to pursue a career as a dancer. The narrator goes to university and works as a personal assistant for mononymous international pop star Aimee who decides to set up a school for girls in west Africa. The story alternates between the past and present and even though the girls spend a considerable time apart in later years, Tracey’s influence can always be felt. 
I first came across Georges Perec’s work at university through his first novel ‘Things: A Story of the Sixties’ which was by far the most interesting book I had to read for one of my French literature modules focusing on consumerism. I’ve had ‘Life: A User’s Manual’ on my TBR list ever since which is probably Perec’s best known novel published in 1978 and translated from the French by David Bellos in 1987. 
Shortlisted for this year’s Man Booker Prize, ‘Do Not Say We Have Nothing’ by Madeleine Thien is a multi-generational saga of two families set against the backdrop of key events in 20th century Chinese history, from the Great Leap Forward and the Cultural Revolution to the Tiananmen Square protests in 1989. In Vancouver in the early 1990s, Chinese refugee Ai-ming comes to stay with Marie whose father Jiang Kai committed suicide in 1989 when she was ten years old. Kai, a talented concert pianist, knew Ai-ming’s father Sparrow, an equally gifted composer, when they studied music in the 1960s at the Shanghai Conservatory of Music with Sparrow’s cousin Zhuli, a violin prodigy. Through fragments from a series of notebooks and diaries, Marie searches for answers about her father and his life in China during a turbulent period of the country’s history. 
‘Vinegar Girl’ by Anne Tyler is part of the Hogarth Shakespeare series – a project which involves today’s bestselling novelists retelling William Shakespeare’s best known plays. In this modern interpretation of the comedy ‘The Taming of the Shrew’, Kate Battista is a single twenty-nine-year-old nursery teacher living with her absent-minded academic father Louis and her fifteen-year-old sister Bunny. Her father hatches a plan to marry Kate off to his socially awkward eastern European lab assistant Pyotr so he can stay in the United States after his Visa expires. 
‘The Tidal Zone’ by Sarah Moss tells the story of Adam Goldschmidt, a stay-at-home dad and part-time academic, married to overworked GP Emma. Their eldest daughter fifteen-year-old Miriam suddenly collapses on a school playing field and nearly dies after going into anaphylactic cardiac arrest. In the aftermath of the incident, the family must find a way to move on and return to some form of normality whilst coming to terms with the possibility that Miriam’s condition could be genetic and may happen again at any time. 
Longlisted for this year’s Man Booker Prize, ‘Serious Sweet’ by A. L. Kennedy is set over the course of twenty-four hours in London in 2014, following a day in the lives of 45-year-old recovering alcoholic Meg Williams and 59-year-old divorced senior civil servant Jon Sigurdsson. At first, the characters appear to lead seemingly separate lives but it is gradually revealed that their paths have already crossed before. The day revolves around the pair attempting to meet and whether they are able to move on from the traumatic events which have shaped their lives. 
‘This Must Be The Place’ by Maggie O’Farrell tells the story of Daniel Sullivan, an American linguistics professor living in a remote farmhouse in Donegal with his reclusive ex-film star wife Claudette, their two children and Claudette’s son from a previous relationship. When Daniel learns that an ex-girlfriend died shortly after they split up in the 1980s, he sets out to discover what happened to her all those years ago, even if it risks destroying his struggling marriage. 
‘The People in the Trees’ by Hanya Yanagihara tells the story of Norton Perina, a graduate of Harvard Medical School who accompanies Paul Tallent on an anthropological expedition to Ivu’ivu, a remote Micronesian island. During their travels in the 1950s, they come across a native tribe known as the Dreamers, a group of islanders who are well over a hundred years old after consuming the meat of a sacred turtle. The discovery and subsequent experiments win Norton a Nobel Prize but they also have serious consequences for the island and its inhabitants. 
Although I have been following several major literary awards for the past few years, I have never written a blog post specifically outlining my predictions for the Man Booker Prize… until now. Famously dubbed “posh bingo” by 2011 winner Julian Barnes, predicting which 12 or 13 titles will be on the longlist has always been notoriously difficult. Until 2014, the Prize was previously only open to authors from Commonwealth countries but the eligibility criteria have since been extended to allow any work of fiction written in English and published in the United Kingdom to be entered for the Prize. This only makes the annual guessing game even more challenging.
Winner of the Booker Prize in 1997, ‘The God of Small Things’ by Arundhati Roy tells the story of twins Esthappen and Rahel and their extended family living in Ayemenem House in Kerala, southern India including their mother Ammu, their uncle Chacko, grandmother Mammachi, great aunt Baby Kochamma and Chacko’s daughter Sophie Mol. The plot focuses on multiple family tragedies, the most significant of which are the mystery surrounding the death of Sophie Mol and the family’s disapproval of Ammu’s lover Velutha because he is an Untouchable. 
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