I have been going through a mini crime phase in my reading across different genres recently, namely non-fiction, crime fiction and historical fiction. Here are three books I have enjoyed over the last few weeks:
Court Number One by Thomas Grant is an anthology of 11 significant trials held at the Central Criminal Court in London, more commonly known as the Old Bailey, during the 20th century. The majority of these deal with murders, but also include espionage and treason, and as the subtitle of the book promises, Grant shows how the trials defined modern Britain, particularly where attitudes towards social change are concerned. The earlier chapters tend to involve cases which have largely been forgotten such as the Camden Town murder trial in 1907 shortly after the court opened, while those in the second half of the century mostly remain notorious such as those involving John Christie, Ruth Ellis and Jeremy Thorpe. While some chapters are a tad overlong due to the considerable amount of detail, each case is outlined in a gripping narrative, capturing the essence of courtroom drama. Grant, a practising barrister, shines a light on the tactics involved and how and why the trials had the outcomes that they did. ‘Court Number One’ is ideal for a lay reader who wants to understand more about the history of the English criminal justice system, and would be a good companion to The Secret Barrister. Continue reading
‘All Among the Barley’ by Melissa Harrison tells the story of fourteen-year-old Edie Mather, living at Wych Farm in the East Anglian countryside in 1933 with her family. The impact of the Great War and the Depression is still being felt and the fickle nature of the weather and the outcome of the harvest are a constant worry. Bookish Edie is 
If you enjoyed 
Louise Doughty is brilliant at writing about underlying resentment and the things we secretly notice about people but rarely articulate. I suspect she will remain best known for 
“Fake news” had yet to become a common term when ‘Nothing is True and Everything is Possible: Adventures in Modern Russia’ was published in the UK in 2015, but the concept is very much present in Peter Pomerantsev’s anecdotal depiction of post-Soviet Russia. Raised in London, he moved to Russia as an adult and his work as a reality television producer allowed him access to all sorts of people and places at the peak of the television industry boom years in the 2000s.
I haven’t read any of this year’s Booker Prize longlist yet, but I have read two of the novels shortlisted for the Guardian’s 
David Nicholls’ fifth novel ‘Sweet Sorrow’ is set during the summer of 1997. Charlie Lewis is waiting for his GCSE results, living with his depressed father and working at a petrol station. In a chance encounter on a bike ride, he becomes a member of the Full Fathom Five amateur theatre company and lands the role of Benvolio in ‘Romeo and Juliet’.
I have read two non-fiction books recently which both draw on regular newspaper columns penned by their authors. In April 2010, at the age of 52, journalist Melanie Reid broke her neck and fractured her back after falling from a horse, spending nearly a year in a high-dependency spinal unit. She is now a tetraplegic, permanently paralysed from the top of her chest downwards and will spend the rest of her life in a wheelchair. She has documented her experience of adult-acquired disability in her ‘Spinal Column’ in the Times for several years now. Her memoir ‘The World I Fell Out Of’ draws on those articles but also provides a fuller account of how her life changed following the accident. 
The Booker Prize 2019 longlist was announced on Wednesday. The 13 titles are:
‘Daisy Jones & The Six’ by Taylor Jenkins Reid charts the rise to fame of a fictional 1970s rock group based in California and the making of their seminal album ‘Aurora’. Billy Dunne formed The Six with his brother Graham and fellow band members, Eddie, Warren, Karen and Pete. Following the success of a collaboration with Daisy Jones,
I watched the excellent film adaptation of ‘The Wife’ by Meg Wolitzer recently (currently available to stream on Netflix in the UK) and still had Glenn Close’s performance in mind when I read the book which was first published in 2003, so this week’s blog post is more of a joint review of both. Joan has been married to celebrated novelist Joe Castleman for forty years after meeting in the late 1950s. She was his student in a creative writing class at Smith College and they began an affair which ended his first marriage. In the present day, they are travelling to Scandinavia where Joe is due to receive a literary award – the Nobel Prize for Literature in the film, the fictional Helsinki Prize in the book, which is said to be slightly less important than the Nobel Prize for Literature but prestigious nonetheless. However, during the flight, Joan decides that enough is enough and plans to end their marriage after years of putting up with Joe’s philandering. 
I enjoyed Patrick McGuinness’s debut 
I enjoyed Naomi Alderman’s Baileys Women’s Prize for Fiction-winning feminist dystopian novel 
I saw Francesca Segal in conversation with Amanda Craig at the Jewish Book Festival in March 2018 and was immediately intrigued when she said she was writing a non-fiction book about the premature birth of her identical twin daughters ten weeks before their due date. Published in the UK this week, ‘Mother Ship’ is presented as a diary of the 56 fraught days the babies (initially known as A-lette and B-lette) spent in the neonatal intensive care unit (NICU) in the weeks leading up to Christmas 2015. 
I am sure there are many books of various genres currently being written about Britain leaving the European Union right now, but maybe not so many which satirise the complex bureaucracy of the EU itself. However, Robert Menasse’s novel addresses the latter topic, won the German Book Prize in 2017 and has now been translated into English by Jamie Bulloch. Set in Brussels where the headquarters of the main EU institutions are located, the Directorate-General for Culture has been tasked with organising a celebration to mark the 50th anniversary of the European Commission. Martin Susman, the Austrian PA to ambitious Greek Cypriot Fenia Xenopoulou suggests putting Auschwitz survivors at the centre of the jubilee event. Meanwhile, the complexities of European agricultural policy, trade deals and the cost of pork exports to China cause headaches and petty power games galore and Inspector Brunfaut is investigating the death of an unnamed man in the Hotel Atlas.
You would be forgiven for thinking that I had pretty much abandoned fiction based on my blog content over the past few months, but I have started reading more novels again recently. Some aspects of Jessica Andrews’ debut ‘Saltwater’ reminded me a lot of ‘Sight’ by Jessie Greengrass, particularly in its visceral imagery concerning changing bodies and an emerging sense of self. Based on Andrews’ life so far, it also appears that there is a strong element of autofiction in this coming-of-age story in which Lucy is finding her way in the world from growing up in Sunderland to her student years in London to inheriting a cottage in Donegal from her grandfather after she graduates from university. 
Emily Maitlis has been a journalist and broadcaster for over twenty years and is currently the lead presenter of the BBC’s Newsnight programme. Her first book ‘Airhead’ is a collection of her most significant and memorable TV interviews, with an explanation of the planning and thinking behind each one, as well as the build-up and aftermath off camera. Sometimes the interviews are carefully planned and structured in order to tease out the most telling response from the person being grilled. More often than not, though, the most effective and surprising ones are brought about by happy accident such as her encounter with Anthony Scaramucci. Coupled with the constant sense of unpredictability associated with live television (which is more cock-up than conspiracy, according to Maitlis), the subtitle “the imperfect art of making news” is certainly fitting. 
‘The Ten Types of Human: Who We Are and Who We Can Be’ by Dexter Dias explores the best and worst of human behaviour – how and why people can be utterly selfless and also commit terrible atrocities. Dias is a human rights lawyer and part-time judge who was presented with a case in which a 15-year-old boy died in a young offender institution when three officers restrained him.
‘The Library Book’ by Susan Orlean documents the devastating fire that raged for seven hours at Los Angeles Public Library in April 1986 and destroyed or damaged over one million books. Investigators quickly concluded that the fire was probably an arson attack but the cause has never been solved and the main suspect, Harry Peak, was arrested but never charged. 
‘Can You Tolerate This?’ is Young’s non-fiction debut (she is also a poet) and tackles a diverse range of subjects, mostly leaning towards her own personal experiences of growing up in Te Kuiti in New Zealand as well as a smattering of historical portraits and other topics too. The 20 essays in this collection include her experience of working as the manager at Katherine Mansfield’s birthplace (‘Katherine Would Approve’), Japanese recluses known as hikikomori (‘Sea of Trees’), 19th century French postal worker Ferdinand Cheval (‘Postie’) and her resentment towards a childhood pet (‘Black Dog Book’). However, the main recurring theme in her work is the body, from the short opening essay about a patient with two skeletons (‘Bones’) to musings on her own body hair (‘Wolf Man’) poor eyesight (‘Absolutely Flying’) and 
A Little Blog of Books 
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