It’s been a while since I’ve been to a literary event, and three years since I last went to Chiswick Book Festival in 2016, so another visit was long overdue. Yesterday, I went to two events: Sadie Jones talking to Cathy Rentzenbrink about her latest novel ‘The Snakes’ and Sonia Purnell discussing her book ‘A Woman of No Importance’ with Julia Wheeler.
‘The Snakes’ tells the story of Beatrice, the thirty-something daughter of multimillionaire property developer, Griff Adamson. Having more or less cut herself off from her parents and their money, she works as a psychotherapist and lives in a small flat with her husband Dan, an estate agent from a working-class background who doesn’t know the full extent of Bea’s family’s wealth. They plan to use their savings of a few thousand pounds to travel across Europe for a couple of months and stop to visit Bea’s brother Alex in the dilapidated hotel he runs in the south of France. However, Bea’s parents drop in for a surprise visit and when tragedy strikes, Bea is forced to confront some uncomfortable truths about the family’s past. Continue reading
Louise Doughty is brilliant at writing about underlying resentment and the things we secretly notice about people but rarely articulate. I suspect she will remain best known for 
I haven’t read any of this year’s Booker Prize longlist yet, but I have read two of the novels shortlisted for the Guardian’s 
David Nicholls’ fifth novel ‘Sweet Sorrow’ is set during the summer of 1997. Charlie Lewis is waiting for his GCSE results, living with his depressed father and working at a petrol station. In a chance encounter on a bike ride, he becomes a member of the Full Fathom Five amateur theatre company and lands the role of Benvolio in ‘Romeo and Juliet’.
The Booker Prize longlist (no longer sponsored by the Man Group) for 2019 is due to be announced on Wednesday 24th July which means it’s time for another game of what Julian Barnes once termed “posh bingo”. I’ve come up with a list of predictions in terms of what I think could be some strong possibilities alongside my own personal preferences, based on a few eligible books I have read in recent months as well as ones I haven’t. As ever, I have no idea which novels have actually been submitted for consideration.
‘Daisy Jones & The Six’ by Taylor Jenkins Reid charts the rise to fame of a fictional 1970s rock group based in California and the making of their seminal album ‘Aurora’. Billy Dunne formed The Six with his brother Graham and fellow band members, Eddie, Warren, Karen and Pete. Following the success of a collaboration with Daisy Jones,
I watched the excellent film adaptation of ‘The Wife’ by Meg Wolitzer recently (currently available to stream on Netflix in the UK) and still had Glenn Close’s performance in mind when I read the book which was first published in 2003, so this week’s blog post is more of a joint review of both. Joan has been married to celebrated novelist Joe Castleman for forty years after meeting in the late 1950s. She was his student in a creative writing class at Smith College and they began an affair which ended his first marriage. In the present day, they are travelling to Scandinavia where Joe is due to receive a literary award – the Nobel Prize for Literature in the film, the fictional Helsinki Prize in the book, which is said to be slightly less important than the Nobel Prize for Literature but prestigious nonetheless. However, during the flight, Joan decides that enough is enough and plans to end their marriage after years of putting up with Joe’s philandering. 
I enjoyed Patrick McGuinness’s debut 
I enjoyed Naomi Alderman’s Baileys Women’s Prize for Fiction-winning feminist dystopian novel 
I am sure there are many books of various genres currently being written about Britain leaving the European Union right now, but maybe not so many which satirise the complex bureaucracy of the EU itself. However, Robert Menasse’s novel addresses the latter topic, won the German Book Prize in 2017 and has now been translated into English by Jamie Bulloch. Set in Brussels where the headquarters of the main EU institutions are located, the Directorate-General for Culture has been tasked with organising a celebration to mark the 50th anniversary of the European Commission. Martin Susman, the Austrian PA to ambitious Greek Cypriot Fenia Xenopoulou suggests putting Auschwitz survivors at the centre of the jubilee event. Meanwhile, the complexities of European agricultural policy, trade deals and the cost of pork exports to China cause headaches and petty power games galore and Inspector Brunfaut is investigating the death of an unnamed man in the Hotel Atlas.
You would be forgiven for thinking that I had pretty much abandoned fiction based on my blog content over the past few months, but I have started reading more novels again recently. Some aspects of Jessica Andrews’ debut ‘Saltwater’ reminded me a lot of ‘Sight’ by Jessie Greengrass, particularly in its visceral imagery concerning changing bodies and an emerging sense of self. Based on Andrews’ life so far, it also appears that there is a strong element of autofiction in this coming-of-age story in which Lucy is finding her way in the world from growing up in Sunderland to her student years in London to inheriting a cottage in Donegal from her grandfather after she graduates from university. 
The opening paragraph of ‘XX’ by Angela Chadwick is as good as any to sum up the premise of her debut novel published last year: “After years of controversial research, scientists at Portsmouth University’s Centre for Reproductive Medicine have this morning announced plans to create IVF babies from two women. They’re pushing for a change to the Human Fertilisation and Embryology Act that will make it legal to fertilise an egg with genetic material from a second female.” Lesbian couple Rosie and Jules are quick to take up the opportunity to have a baby of their own through the means of a groundbreaking clinical trial, but a backlash from right-wing movements inevitably creates problems along the way. 
I am approaching the end of shadowing this year’s Wellcome Book Prize, and I have followed two books which explore gender as the central theme (
I really enjoyed watching the HBO TV mini-series adaptation of ‘Olive Kitteridge’ last year and have been keen to read the original book by Elizabeth Strout which won the Pulitzer Prize for Fiction in 2009. It is a novel in the form of 13 linked short stories set in the coastal town of Crosby, Maine centred around the life of the eponymous character during late middle age after retiring from her job as a junior high school maths teacher. Her gregarious husband, Richard, is a pharmacist and her son, Christopher, is a podiatrist. However, there are long-standing tensions in the family with Olive seemingly unable to communicate affection towards those closest to her. 
I imagine that the majority of the books submitted for consideration are non-fiction titles (they usually dominate the shortlists at any rate) but there are a fair number of novels which could also be in the running, even though the thematic criteria is more subjective. An obvious contender among fiction titles is 
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