Is it possible not to have a good year for books? Thankfully, I don’t think this has happened to me yet, so here is a list of the books I enjoyed the most in 2018.
I have read more non-fiction than ever this year, partly due to shadowing the Wellcome Book Prize shortlist in March and April which I hope to do again in 2019. To Be a Machine by Mark O’Connell won the official prize and was also our shadow panel winner – it’s a fun, informative and pretty terrifying book about transhumanism. , Yet while transhumanists are trying to avoid death at all costs, With the End in Mind by Kathryn Mannix explores the practical side of dying and what a “good” death can look like from her work as a palliative care consultant and this was a stand-out title for me this year. Another book I would happily press into the hands of everyone I meet is The Secret Barrister: Stories of the Law and How It’s Broken which is an eye-opening account of the inner workings of the criminal justice system in the United Kingdom. And Strangers Drowning by Larissa MacFarquhar is a book I am still thinking about regularly months after I finished it mostly because the stories of extreme do-gooders are actually more unsettling than uplifting in many cases. Continue reading
By coincidence, I have recently read two collections of short fiction by two of my favourite authors which bring together stories united around specific themes. ‘Property’ is Lionel Shriver’s first collection of short stories which all address the title’s literal definition in relation to real estate and also in a more figurative sense as ownership and possession. Ten shorter pieces many of which have previously been published in magazines are bookended by two novellas ‘The Standing Chandelier’ about the dynamics of Weston Babansky’s 20+ year friendship with Jillian Frisk and her unusual choice of wedding gift when he marries his girlfriend Paige and ‘The Subletter’ written in 1999 about an American journalist living in Belfast during the Troubles who has territorial struggles of her own. 
‘Little’ by Edward Carey is a fictionalised account of the early life of Madame Tussaud who founded the famous waxwork museum in London that bears her name. Born Anne Marie Grosholtz in 1761 and orphaned as a young child, she is employed by Swiss wax sculptor, Doctor Curtius, who makes anatomical models in his studio and names his young apprentice ‘Little’ on account of her small stature. When Curtius’ financial difficulties finally catch up with him, they move to Paris where they take rooms with widow Charlotte Picot who helps transform the business and set up popular exhibitions displaying wax replicas of the heads of noblemen and famous murderers. She banishes Marie to work in the kitchen out of jealousy but following a surprise visit by Princess Elisabeth, the youngest sister of King Louis XVI, Marie is invited to become her wax modelling tutor at the Palace of Versailles. However, with revolution on the horizon, nobody associated with the Royal Family is safe from the threat of the guillotine. 
The winner of this year’s Man Booker Prize was announced last month. While ‘The Overstory’ by Richard Powers and ‘Washington Black’ by Esi Edugyan appeared to be the favourites to win among bloggers I follow, ‘Milkman’ by Anna Burns triumphed in the end. I’m undecided about whether or not to read it. There has been a lot of focus on the experimental prose style and the question of its “readability” with its unnamed characters and paragraphs without breaks. However, when chair of the judges Kwame Anthony Appiah said “I spend my time reading articles in the Journal of Philosophy so by my standards this is not too hard”, I wasn’t sure he really succeeded in selling it to a wider audience. On the other hand, it should be noted that the actual sales figures since Burns’ win tell a different story and it will be interesting to see how it is critically received in the long term. Do let me know what you think of ‘Milkman’
I went to see ‘Wise Children’ at the Old Vic theatre in Waterloo last week after Rebecca of 
It’s been almost three years since 
I don’t normally read books by the same author within the space of a few weeks but after enjoying 
I read ‘The Little Stranger’ by Sarah Waters over seven years ago before I started my blog and reread it this month when the film adaptation was released in the UK. Set in the Warwickshire countryside in the late 1940s, Dr Faraday is called to Hundreds Hall, a once grand now derelict stately home where his mother once worked as a maid and which he has long viewed with fascination since he was a child. Occupied by the Ayres family for more than two centuries, the house is now in decline with just Mrs Ayres and her two adult children Caroline and Roderick struggling to manage the estate on their own. Roderick sustained serious injuries during the war and when Faraday offers some treatment for his leg, his regular visits to Hundreds Hall see him become increasingly more involved in the family’s affairs. 
‘Normal People’ by Sally Rooney tells the story of teenagers Marianne Sheridan and Connell Waldron who go to school together in the small rural town of Carricklea in the west of Ireland and later move to Dublin to study at Trinity College in the early 2010s. Marianne is a loner from a well-off family while Connell is popular at school and their romance is kept secret from their classmates. However, Marianne finds friends easily among their privileged contemporaries at university whereas Connell feels alienated, and this sudden reversal in their social status complicates their relationship. 
I enjoyed reading 
The opening chapter of ‘Snap’ by Belinda Bauer presents a chilling premise based on the unsolved murder of Marie Wilks. On a hot day in the summer of 1998, eleven-year-old Jack Bright is left in a broken-down car by the side of a motorway with his two younger sisters, Joy and Merry, while their pregnant mother, Eileen, goes in search of a telephone for help. However, she never returns and her body is eventually found stabbed to death.
I have recently read this year’s winner of the Man Booker International Prize ‘Flights’ by Olga Tokarczuk which was first published in Poland back in 2007 and has been translated by Jennifer Croft. I didn’t have time to shadow the MBIP last spring but as August is Women in Translation Month, this seemed like a good time to find out what to make of it. ‘Flights’ is about an unnamed woman and her reflections on travelling – and that’s about it as far as plot goes in this very fragmented book which can only be described as a “novel” in the loosest sense possible as it is more of a collection of thematically linked observations and vignettes. 
2018 marks the centenary of Muriel Spark’s birth and I have recently read her autobiography ‘Curriculum Vitae’ and one of her most famous novels ‘The Driver’s Seat’ which was first published in 1970. The main protagonist, Lise, is in her mid-thirties and is unhappy with her dead-end job. She hops on a plane to an unnamed southern European city looking for adventure and has a series of odd interactions with even odder people she meets along the way. Spark ingeniously drops a massive spoiler at the beginning of the third chapter in which it is casually stated that Lise “will be found tomorrow morning dead from multiple stab-wounds, her wrists bound with a silk scarf and her ankles bound with a man’s necktie, in the grounds of an empty villa, in a park of the foreign city to which she is travelling on the flight now boarding at Gate 14.” The narrative then continues as if this information had never been mentioned and the mystery of who the perpetrator is and how and why the murder occurs isn’t revealed until the final paragraphs. 
‘The Heart’s Invisible Furies’ by John Boyne
The Man Booker Prize longlist will be announced on Tuesday 24th July and the annual guessing game of “posh bingo” commences once again. When considering which books could make the cut, I
‘The Song of Achilles’ by Madeline Miller is a modern retelling of ‘The Iliad’ and won the Women’s Prize (then Orange Prize) for Fiction in 2012. Whereas Homer’s epic was told from the perspective of demi-god Achilles as the warrior hero of ancient Greece, it is the exiled prince Patroclus who takes centre stage here, having been a minor character in the original. In Miller’s interpretation of events, Achilles and Patroclus are inseparable childhood friends who later become lovers, and when the time comes for Achilles to fulfil his destiny, Patroclus follows him to war with the Trojans. 
The Man Booker Prize is celebrating its 50th anniversary this year with a “best of the best” 
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